Home Blog Page 200

Grumpy’s On the Go food truck hits the road

0
Maggie Bauman of Grumpy’s will drive the Grumpy’s On The Go food truck. Toledo Free Press photo by Kim Sanchez.
Maggie Bauman of Grumpy’s will drive the Grumpy’s On The Go food truck. Toledo Free Press photo by Kim Sanchez.

Grumpy’s, the popular Downtown eatery known for its Garbage Salad, will soon be trucking the favorite meal around Toledo in its new food truck, called Grumpy’s On The Go.

Starting June 21, the Grumpy’s On The Go truck will be parked 11 a.m. to 2 p.m. Monday through Saturday at locations yet to be announced, and will be stocked solely with the eatery’s signature Garbage Salad, said the truck’s driver, Maggie Bauman, whose mother and aunt own the 30-year-old business.

“Our main seller is the Garbage Salad and our clientele is the work crowd and we can only cater to Downtown,” Bauman said. “There’s Perrysburg and Sylvania people who can’t eat Downtown on their lunch break and there’s such a demand for it. This is a perfect venue to get people what they want and they want the Garbage Salad.”

On Saturdays, the truck will be parked outside Grumpy’s at 34 S. Huron St., from 11 a.m. to 2 p.m., but during the week, Bauman said she is still trying to nail down locations.

“As of now it’s definitely going to be Harold Jaffe Jewelers on Talmadge Road one day a week,” Bauman said. “We would definitely like to spread out and be at different places every day.”

On Thursdays the truck will park at Arrowhead Park in Maumee and Bauman has also reached out to ProMedica about adding hospitals to the schedule.

“I’ve been in touch with the administration and right now, they are creating a system-wide policy for hospitals regarding food trucks so they said they’d get back to me in a couple weeks,” Bauman said.

Finding locations is a “tricky” business, she said, because Grumpy’s doesn’t want to “step on anyone’s toes.” Their goal is to find locations with parking lots, she said.

The food truck will sell only prepackaged Garbage Salads made at the Downtown deli.

The signature Garbage Salad comes in four varieties: regular, vegetarian, vegan and gluten-free. Toppings include bacon, chicken, tomato, onion, mushroom, raisins, croutons and four cheeses. The salad comes with a homemade poppy seed dressing.

All salad toppings will come on the side of the pre-packaged salads, Bauman said. Cookies, soda and water will also be available for purchase.

Grumpy’s got the truck in March and has since been outfitting it to be ready for customers. On June 10, it was being vinyl-wrapped.

The truck also needed to pass an inspection by the health department, Bauman said.

Grumpy’s is owned by Bauman’s mother, Sara Bauman, and Bauman’s aunt, Jennifer Shemak.

Bauman is the third generation to come into the business that was started by her grandmother, Connie Horn, and her husband, Jeff, at their hardware store on Broadway Street in 1984.

“My grandparents had a hardware store and [Shemak] opened up a deli counter in back of Horn Hardware,” Bauman said. “That’s why some of the classic food is named after tools. They were doing so well with the food bar, they closed down the hardware store and opened up Grumpy’s.”

When Bauman’s grandmother died four years ago, Bauman’s mother returned to Toledo from New York, where Bauman was born and raised, to take over ownership of Grumpy’s with Shemak.

“So the third generation is coming in and growing the business in this direction [the food truck] so it’s very exciting,” Bauman said. “There’s just so much to learn from this experience. So when I found myself back in Toledo, it just made sense. It’s an incredible opportunity and I’m so blessed to have my family business.”

Bauman will announce future locations of the food truck on Facebook, Twitter and Instagram.

OnceOver plans album release with Tropic Bombs

0
OnceOver will release its sixth album, “White Raven,” alongside Tropic Bombs. Several members play in both bands. The release concert is slated for June 20 at Toledo’s Mainstreet Bar & Grill. Photo Courtesy OnceOver

Two young children run around with corndogs. Caramel apple lollipops pass from hand to hand. This is not the picture that immediately pops into one’s head when they think of a practice session for a rock band like OnceOver.

This band has been around for almost 15 years, frontman Steve Dwyer said in a recent interview, so the atmosphere is far different from the traditional rock ‘n’ roll setting.

.
OnceOver will release its sixth album, “White Raven,” alongside Tropic Bombs. Several members play in both bands. The release concert is slated for June 20 at Toledo’s Mainstreet Bar & Grill. Photo Courtesy OnceOver

“If our band was a kid, it would be getting their temps,” Dwyer said. “It would start getting their license soon.”

This year, the band plans to release its sixth album, “White Raven,” alongside Tropic Bombs, another band that Dwyer and bandmate Nick Archer play for. The release concert is slated for June 20 at Toledo’s Mainstreet Bar & Grill, 141 Main St.

The original OnceOver was founded in 2001, and has experienced multiple fan and membership changes throughout the years.

The current members are Dwyer, his brother Paul Dwyer on guitar, Colin de Saint Victor on guitar, Archer on bass and Bruce Stelter on drums.

The Dwyer brothers have a musical past, as their father is an alumnus of Berkley University’s music program. He holds a bachelor’s degree in composition and a master’s in guitar performance.

“We grew up in environments that were very music-savvy,” Dwyer said.

“Most people kinda have a passion for music from a super young age; I was one of those people,” de Saint Victor said. “I started playing guitar in maybe fifth grade and I spent countless hours playing when I was younger and just never quit.”

De Saint Victor and Dwyer said their fellow members have little or no formal training for the instruments they chose to play in this band.

“[Dwyer] had high school stuff at least, like orchestra, choir, that kind of stuff,” de Saint Victor said.

“[Archer] took a little bit of guitar lessons when he was a kid but, other than that, I think it’s safe to say we were all self-taught,” Dwyer said.

Dwyer said some of the band’s mainstay fans go to great lengths to show their loyalty, from bringing their now-adult children to shows to getting tattoos of the band’s logo on their bodies.

“I would say we’ve always had this core set of fans that are super die-hard but on the outer shell of that there’s been a lot of weird fluctuation,” Dwyer said.

“We’re like 30 and people our age don’t really go to shows,” he added.

“The fanbase stays the same age, almost,” de Saint Victor said.

The group also jokes they have had their share of interesting fan experiences, from injuries to pregnancies and all sorts of strange behavior in between.

De Saint Victor said OnceOver’s current challenges are different from the challenges of younger bands, which fight over creative differences or get tired of seeing one another.

“We’ve been together for so long the challenges now are way different than the challenges when we were 20,” de Saint Victor said. “Everybody’s got kids. It’s mostly an issue now with scheduling and making time in our lives to still do this.”

The new album focuses on overcoming life challenges, from death to addiction to dealing with bullies in the professional world.

“Kind of assessing and taking a step back, understanding some of the darker parts of your life and learning to grow from them,” Dwyer said. “Whether that be the death of a family member or a personal struggle and overcoming what seems to be insurmountable.”

The album begins with a song titled “The Death of You,” and ends with “The Locus of Control.”

“[The first track is] semi-inspirational but comes from a dark place,” Dwyer said. “The end of the album is kind of a positive note where it’s like you’re in control of your life.”

Musical inspiration comes from the members of the band coming together, not necessarily all at once, to conceptualize, write and play.

“I’d say our songs come from an inception point,” Dwyer said. “We work on songs together but normally it comes from one or two ideas that kind of sprout something.”

“Every song is definitely not started and ended with everybody’s input, which is probably the way it should be,” de Saint Victor said.

Paul said their goal with this album is not fame and fortune, but sharing their music with the audience that made them the band they are today.

“We’re not trying, at this point, to make money off of it,” Paul said. “We’re really just into getting people into the music and kind of networking with people and bands.”

The group will work on a better touring schedule, within drivable distance.

“We have little pockets of fans in a lot of the cities around us,” Archer said. “This year, we’re trying to make a little more of an effort to play out of town.”

The next year will also see a little bit of separation followed by endless hours dedicated to their next record, which is already in process.

“It’s some of our best stuff ever, I would say,” Dwyer said. “It needs a lot of work and we’re not that far into it.”

“As soon as we release an album, it just repeats,” de Saint Victor added.

Downtown dwellers enjoy rooftop ‘backyards’

0
Emily Lamb, a resident of Bartley Lofts in downtown Toledo, sits by the rooftop pool that is popular with residents. Toledo Free Press photo by Sarah Ottney

A pool, a patio, a grill, a garden, a place for your dog to romp — all evoke the pleasures of a spacious suburban backyard. But many Downtown residents have made their own private “backyard” oases in an unlikely location — building rooftops.

Emily Lamb, a resident of  Bartley Lofts  in downtown Toledo, sits by the rooftop  pool that  is popular with residents. Toledo Free Press photo by Sarah Ottney
Emily Lamb, a resident of Bartley Lofts in downtown Toledo, sits by the rooftop pool that is popular with residents. Toledo Free Press photo by Sarah Ottney

When her husband first proposed leaving their South End home to move Downtown, Janet Albright resisted.

“I told him, ‘Fine, as long as you find me green space,’” she said. “I didn’t want to move Downtown and I knew he couldn’t find a building with green space.”

But he did — a building on South St. Clair Street with a flat roof, perfect for starting a garden. They’ve lived there now for more than 10 years and Albright is a Downtown convert — in large part due to her rooftop “sanctuary,” a popular gathering place for family and friends.

She and her husband, Richard Rideout, live on the top floor of the three-story building and lease the other two floors. Transforming the building into their dream home was a “labor of love,” but worth the effort, Albright said.

“The cool part for us was we had a blank canvas,” Albright said.

Today, their private rooftop features potted herbs and flowers along with a deck, dining area, refrigerator, grill, bar, TV and more. They even have trees — two hardy corkscrew willows. Her blueberry bush didn’t survive the winter, but her rose bushes are blooming. The only thing she doesn’t have is vegetables.

“My one sore spot,” Albright said. “I cannot get them to grow. It’s not them; it’s me.”

The couple’s “backyard” is a popular gathering spot for family functions; there’s even been a wedding held there.

“It’s like a sanctuary,” Albright said. “It’s no different than having a great backyard and hanging out on your patio when you live in the suburbs, but mine’s up four stories up and I have a beautiful view of the city. We can see all the bridges and have a beautiful view of the river.”

This summer, the rooftop deck is being remodeled so Albright isn’t able to utilize the area as much as she’d like.

“I am in absolute withdrawal right now,” she said.

A few blocks away on Washington Street, residents at Bartley Lofts were hanging out at their rooftop pool.

“The pool really sealed the deal for me,” said resident Kate Kelley. “It was a big selling point. My husband said, ‘Oh, boy.’ He knew we weren’t going anywhere else once I saw that.”

Kelley, who works Downtown as a financial adviser for New York Life Insurance Company, traded a two-hour commute in downtown Baltimore for a two-minute commute in Downtown Toledo.

The rooftop lounge area also features a grill and periodic wine tastings, Kelley said.

La Salle Apartments residents Nick Amrhein, left, and Michael Seay enjoy the downtown building's rooftop  patio. Toledo Free Press Photo by Sarah Ottney
La Salle Apartments residents Nick Amrhein, left, and Michael Seay enjoy the downtown building’s rooftop patio. Toledo Free Press Photo by Sarah Ottney

“Everyone congregates here in the summertime. You get to know people. It’s like ‘Melrose Place’ in a good way,” she joked. “You make a lot of friends up here — and a lot of friends in the city when you tell them you have a pool.”

Having a great vantage point for fireworks is another perk of access to a Downtown rooftop, said Bartley Lofts resident Emily Lamb.

“Fourth of July is perfect,” she said. “You can see the Mud Hens as well as Downtown, Maumee, everywhere.”

A Downtown building with a rooftop patio offers “the best of both worlds” — walking distance to coffee shops, bars and restaurants, but also a “backyard” oasis to hang out in at home, Kelley said.

“I spend a lot of time up here,” she said. “I’m spoiled by the view and the pool.”

A few blocks away, Isaiah Harris, 16, who is living in Toledo for the summer with his dad at La Salle Apartments on Adams Street, said he likes to use the rooftop for entertaining friends. The spacious patio that stretches the full length of the building.

“It’s really nice when you have visitors,” he said.

But his favorite part of his Toledo backyard is watching sunsets.

“The one thing I love personally is watching the sun turn different colors,” Harris said. “It’s just amazing.”

La Salle resident Jasmine Cogdell likes to use the roof to write songs and play with her Yorkshire puppy, Tokyo.

Even though it’s a shared space, it feels private because most people keep to themselves, Cogdell said.

La Salle Apartments resident Jasmine Cogdell with her Yorkshire puppy, Tokyo. Toledo Free Press photo by Sarah Ottney

La Salle Apartments resident Jasmine Cogdell with her Yorkshire puppy, Tokyo. Toledo Free Press photo by Sarah Ottney

“I come up here to write, to drink. It’s peaceful,” said Cogdell, a Bowling Green State University student studying special education. “I like to sit up here and chill. It’s nice to have this.”

La Salle resident Michael Seay also enjoys the roof as much as possible.

“I live up here in the summer,” said Seay, who said he likes to grill out and entertain guests. “It’s nice to be Downtown. I live here for convenience, for getting around.”

His roommate, Nick Amrhein, a photographer, said he likes to utilize the rooftop for photoshoots.

The Commodore Perry Apartments on Jefferson Avenue doesn’t have a rooftop patio, but is “very pet-friendly” and offers a small private “dog park” area for resident dogs to interact and do their business while their owners to sit and talk, said resident Kristen Mollenkopf.

Aaron Bonnough moved Downtown to the Standart Lofts about two months ago because he wanted a change. He was a little afraid he would miss his Springfield Township backyard, but now he says he shouldn’t have worried.

“There are aspects I do miss about having a backyard, but there’s so much space up here. I was surprised how much,” Bonnough said from the rooftop patio of the Erie Street apartment building, which features patio furniture and a large grill. “I miss having a lawn — but I don’t miss having to mow it.

“It’s a nice atmosphere to hang out in. I haven’t used the grill yet, but people are always up here,” Bonnough said.

Albright said she loves living Downtown and has no plans to leave.

“Anybody who has anything negative to say about Toledo, I’d like them to come to my home and stand on my roof and have a nice glass of wine or an iced tea and they will understand why it’s a great city,” Albright said. “It’s what you make of it.”

Newlyweds try again for ‘authentic coffee experience’ in BG

0

When their first Kickstarter campaign failed to raise $60,000 in December, Ben and Cassy Vollmar went right back to work to get their potential future coffee shop open.

Although “bummed” about the campaign, Ben said he was excited to see the community begin to jump on board with his project. Since December, community members and other coffee connoisseurs have approached Ben and offered help.

Photo Courtesy Ben Vollmar

Photo Courtesy Ben Vollmer

“A lot of people reached out and because of that, we found other investors, which is part of the reason why this Kickstarter has a lower goal,” Ben said.

Ben said he appreciated the help of the community members, especially since the first Kickstarter campaign didn’t have much social media presence behind it — another difference about his current campaign.

Ben said the new campaign looks a lot better because of what he learned from the unsuccesful one. The couple’s current campaign, which ends at 6 p.m. June 22, aims to raise $20,000.

If the goal is met, the couple plans to open Flatlands Coffee at 138 N. Main St. in Bowling Green, in the same strip as On the Edge Tattoo Studio and Finders Records. Together, the two want to offer “an authentic coffee experience.”

“[Our vision is] just to create a welcoming, creativity-inducing atmosphere where customers can really enjoy the uppermost quality in terms of service and product,” Vollmar said. “Our mission is to bring the best in the country to Bowling Green, Ohio.”

The couple has added to their original business model which, Ben said, sets them apart from other coffee shops on a national scale.

“We have made good partnerships with numerous roasters,” he said. “We’ve been researching for so many years and we’ve found just outstanding roasters. What we plan on doing, from season to season because coffee is such an agricultural product … we will taste all different roasters and pick the best of the best and bring those coffees into our shop.

“That concept has been done and is being done by coffee subscriptions out there. It’s a pretty big fast-growing trend,” Ben said. “It’s getting a lot of attention and people like to know that they’re getting top-quality, but ironically it’s never been done in a coffee shop setting.”

The couple has even picked some early favorites including Kilenso Mokonisa, an Ethiopian roast from Counter Culture; Las Mingas, a Colombian from Cuvee; and Costa Rica Los Lobos from Populace.

Ben said, the first Kickstarter only reached out to locals in Bowling Green. With this one, the Vollmars are trying to maximize their success by sharing how this makes them unique to the industry.

“At this point, most of our backers are from all across the country,” Ben said.

The coffee shop would offer many different brewing methods, including a siphon pot (Vollmar’s favorite), pour-overs and an espresso machine.

“We’re always trying to perfect, tweak and make the coffee taste to its best capability,” Vollmar said.

For more information, visit www.kickstarter.com/projects/960621923/flatlands-coffee. At press time, the project had raised more than $16,000.

Rox: Against all odds: Sasha P. has the ‘It’ factor

0

Toledo native Sasha P. has always had the “It” factor.

.

.

She is blessed with a beautiful voice with a range that will give you goosebumps. Sasha started her paid singing career at 5 years old. She honed her skills singing in the church and as a teen she became serious about recording and discovered her talent for songwriting.

Her first project produced a local hit single, “Beat the Block,” that remained in rotation on The Juice 107.3 for weeks. Although Sasha possessed plenty of vocal experience, she recognized that she lacked life experience. After high school she took time off to go to school, figure things out and find her place in life.

Now 10 years later as a full-grown woman, mother and a teacher, Sasha has experience and is ready to share her heart with all the fans who never stopped believing in her talent.

Sasha P.'s album,

Sasha P.’s album, “No More Questions”

After everything she has been through, you can only imagine the anticipation for her birthday/EP release party last month where the city came out to support her new EP, “No More Questions.” It has some of the year’s best features from Toledo’s most talented musicians.

Martini Rox: For women who think they can’t do it, tell me how you are able to balance recording and motherhood?

Sasha P.: It’s hard, it’s hard. When the [release party] event was over I definitely had to shout out to my parents. They were like, “Sasha, if this is something that you really want to do, we are going to help you with your daughter; we know that you are a single mom. If this is what you want to put in your heart to do and invest in, then we are going to stand behind you.” If you do not have that support system to back you up, it becomes challenging.

I’ve had a lot of restless nights. I work a full-time job and I’m in the studio at 3 o’clock in the morning and then when I get off work I have to tend to my daughter and make sure she’s OK. [When she was hospitalized, I still had] to meet these engagements. I could not have done it without my family at all, even my sister

was able to step

up and lend a

helping hand.

Martini Rox: Your last release was 10 years ago. How would you describe your music now?

Sasha P.: My music is very real. I was very honest on my album and I was very afraid to put it out because I feel I was a little too honest. I had to experience life and I’ve experienced it definitely. The ups and downs and the roller coasters and everything you can possibly experience, I went through it and I express everything in this album. I try to be as honest and as real as possible. I’m a very shy person. I’m a very private person. Releasing this album was very scary for me.

I’m surprised that people still believe in me and they really, really support me. I haven’t done music or released anything in about 10 years so to have people say, “Yes! You’re doing it! Don’t stop this time!” That was enough for me to say, “I’m not going to stop.” I almost cried on my release date because of the response that I got. A lot of times it brings me to tears and it’s kind of overwhelming.

Download the EP, “No More Questions,” available on iTunes.

As we continue on …

Sand-Tastic!: Levis Commons summer festival returns June 27-28

0
Sculptures at Sand-Tastic! will be on display for about a week. Photo courtesy of Levis Commons.

Eight-ton sand sculptures and two 8-foot sidewalk chalk murals will be on full display at the fourth annual Sand-Tastic! festival, hosted June 27-28 by The Town Center at Levis Commons in Perrysburg.

Sculptures at Sand-Tastic! will be on display for about a week. Photo and cover photo courtesy of Levis Commons
Sculptures at Sand-Tastic! will be on display for about a week. Photo courtesy of Levis Commons

“Northwest Ohio as a whole is a very artsy area,” said Casey Pogan, marketing director for Levis Commons. “We have the Crosby Festival, the Black Swamp Arts Festival… our area really thrives on art. Sand-Tastic! has morphed into something that’s still fun, but artsy.” Chad Hartson, owner of Napoleon -based Ice Creations, will oversee the sand sculpture projects for the fourth year. They are one of the most popular features of Sand-Tastic!. “I went to culinary school to be a chef and my last year of college I took a bunch of sculpture classes,” Hartson said. “It was something I loved to do and had a passion for so I forgot about the culinary stuff I was doing—other than ice carving— and focused on the sculpture side of things.” The sand sculptures take three days to finish, with Hartson working on them 10-12 hours each day. In the past, he’s carved everything from a “Toy Story” scene to a prisoner of war to an elephant. “For a lot of artists, the stuff we do is ‘not really art.’ My challenge to them is ‘Let me see you do it,’” Hartson said. “It may not be your typical form of art —not paintings or drawings—but it is art. The art world is so vast and sand is one of those forms that people don’t really think of as art until they see it as an elaborate display.” Pogan said that Levis Commons has hosted parking lot parties, wine tastings and 5K races but the “art-inspired events” typically draw the biggest crowds. Last year, despite pouring rain on Saturday, Levis Commons’ traffic counter counted about 15,000 attendees at Sand-Tastic!. However, this year’s event organizers said they hope to attract 15,000 – 20,000 people to the event. “There’s nothing like it in our area. You can have it be one giant play date,” Pogan said. “Kids are getting out of school and need a reason to get together with friends and parents will be able to catch up with each other, too, while their kids are busy playing. “This is a great environment for reuniting.”

Sand sculpture at Levis Commons
Sand sculpture at Levis Commons. Photo courtesy Levis Commons.

Activities for children include a John Deere Gator track with miniature mobile tractors, bounce houses, water tables with squirt guns, a community sandbox, obstacle courses, and hands-on science games courtesy of Imagination Station. For especially eager sandcastle builders, free lessons from professional sand sculptors will be offered in the community sandbox on Friday and Saturday from 2 – 2:45 p.m. In addition, live music entertainment will be provided by DJ Paul Hernandez on Friday from 3 – 8 p.m. and by Jeff Stewart on Saturday from 2 – 4 p.m. The Toledo School of Arts’ Steel Drum Band will perform on Saturday from 6 – 8 p.m. Businesses at Levis Commons plan to have normal business hours throughout the weekend and encourage visitors to take a break from the heat and check out their shops. “People just have so much fun with the sun and sand sculptures and friends at Sand-Tastic!,” Hartson said. “The sand sculptures will be up at Levis Commons for about a week before they get taken down. Sand is a disposable art where it eventually has to get taken down. For me, the creating process is what’s most important. There’s this excitement that goes into creating a sculpture and seeing it finished. I want everyone to have that same experience — watching something beautiful built before your eyes.”

Smithsonian video games exhibit debuts at TMA

0
“Earthworm Jim,” Doug TenNapel, original concept, character designer and voice actor; Tommy Tallarico, composer; Steve Crow, lead artist; David Luehmann, producer, SEGA Genesis, 1994. Interplay Entertainment Corp.

For more than a century, the Toledo Museum of Art (TMA) has served as one of the most prominent jewels in the Glass City’s artistic crown. Wandering its galleries, visitors are treated to a representative sampling of the works of some of the greatest names their mediums had ever known. Rubens. Rembrandt. El Greco. Miyamoto. Kojima. Levine.

“Earthworm Jim,” Doug Tennapel, original concept, character designer and voice actor; Tommy Tallarico, composer; Steve Crow, lead artist; David Luehmann, producer, SEGA Genesis, 1994. Interplay Entertainment Corp.
“Earthworm Jim,” Doug TenNapel, original concept, character designer and voice actor; Tommy Tallarico, composer; Steve Crow, lead artist; David Luehmann, producer, SEGA Genesis, 1994. Interplay Entertainment Corp.

If those last few names seem out of place, perhaps the newest exhibition at TMA will help to change your mind. Beginning June 19, the museum’s Canaday Gallery became home to a show that spotlights the creative output of a canvas which has heretofore been left unchronicled within many galleries: Interactive media. Playable narratives. “The Art of Video Games.”

“The key to what the exhibition is about is in the title,” TMA Director Brian Kennedy said during a news conference with reporters on June 17. “It’s about, in a sense, in question, to what extent do you believe that video games are art, and what is the art form in video games?”

Smithsonian debut

“The Art of Video Games” exhibit is in many ways the brainchild of Chris Melissinos, former chief evangelist and chief gaming officer for Sun Microsystems. Working with the Smithsonian Institution, Melissinos crafted the show to demonstrate the evolution of gaming over a 40-year period, emphasizing how games grew, not just graphically, but artistically.

“A whole new culture has been established,” Kennedy said in an interview with Toledo Free Press. “Gaming is a usage of technologies to do something that we’ve never been able to do in this way before. And then, out of that, come certain artists that become very, very well known. And yet most of them, I don’t think, have yet emerged. This is such a new format.”

The exhibit was designed to tell the story of game development by dividing it into individual eras, with kiosks representing 20 different platforms. Art and videos showing examples of games that defined their time period are on display at each station. These representatives were voted on by the public, with players around the world choosing which titles best exemplified each era.

Five games are made available to be played by visitors: the original “Pac-Man,” “Super Mario Bros.,” the adventure game “The Secret of Monkey Island,” the groundbreaking point-and-click title “Myst” and the offbeat and beautiful PlayStation 3 title “Flower.”

“The Art of Video Games” was wildly popular during its initial run at the Smithsonian American Art Museum. “This exhibition was one of the most successful exhibitions in Washington at the Smithsonian — actually, the most successful exhibition they’ve had,” Kennedy said.

“And it just attracted people because there hadn’t been an exhibition on the art of video games.”

Back in time

“Shenmue,” Yu Suzuki, director and producer; Yoichi Takahashi, designer; Eiji Ogawa, writer, SEGA Dreamcast, 2000.  Courtesy SEGA
“Shenmue,” Yu Suzuki, director and producer; Yoichi Takahashi, designer; Eiji Ogawa, writer, SEGA Dreamcast, 2000. Courtesy SEGA

Stepping into the exhibit, as it now stands in the Toledo Museum of Art, is less like walking into a gallery and more like traveling back in time to an arcade. The first sight is a 10-foot-high projection screen, showing Pac-Man wandering his trademark maze. The sounds of Mario collecting coins and stomping on enemies dominate the space as you wander the gallery. The entire experience is like being inside echoes of gaming’s past.

The look and feel of the show is quite deliberate, explained Amy Gilman, the museum’s associate director and point curator for “The Art of Video Games.” “I just have to give a little shout-out to our exhibition’s designer, Claude Fixler, who is the one who really works with each curator on the different shows, to come up with different ways of displaying for that show. And we do, we spend a lot of time thinking, ‘What is the best way for this show to be seen here in Toledo?’

“And with this exhibition, we had seen it in other venues, and the place that we saw it last was in a much larger space, it was more spread out. And we thought that, actually, for us to really make it more of a tight show, [we kept it] enough like an arcade that you immediately go there in your mind. We wanted it to be a little loud, we wanted it to feel a little visually crazy and all of that. And that’s a really important quality to video games, but it’s also an important quality to the experience of the exhibition.”

It’s a little jarring for someone familiar with the space — and with the museum in general — to see the transformation. Just a few months ago, the Canaday Gallery was home to a showing of works from the Tuileries Gardens of the Louvre. To see it as it is now might strike some as a vulgar offense to their delicate ideas of what “art” is.

But to Gilman, that contrast is crucial to the museum’s mission.

“For the museum, it’s really important that over time we have a really broad range of offerings for our visitors,” Gilman said to the gathered reporters. “And that means reaching out into communities that are not necessarily served by being our core audience, but it also means that we like to provide all our visitors with really different experiences.”

For anyone who lived through the console eras represented, the exhibit is certainly a genuine shot of nostalgia — a factor Gilman and her colleagues recognize.

“The fact that we chose to use Mario and Pac-Man as our graphics for this show is about the nostalgia for that period in video gaming that is very much alive today. So one of the things that’s very important to know is, this exhibition isn’t about showcasing the next latest game from Nintendo, or Wii or whatever, and being the launch for that. It’s actually about looking at the progression in a way that we who play video games in our basements probably don’t get a chance to do.”

“The Legend of Zelda: Twilight Princess,” Shigeru Miyamoto, Executive Producer; Eiji Aonuma, Director and Producer; Satoru Takizawa, Art Director; Satoru Iwata, Producer, Nintendo Wii, 2006. Courtesy Nintendo of America, Inc.

It’s against the nature of the show — and indeed the medium it represents — to only dwell on the past, however. The four corners of the room are dominated by large projection screens where visitors can play one of the interactive titles, arranged chronologically. To see the progression of play — from “Mario,” where the goal is to stomp enemies and save the princess, to “Flower,” where you flutter on the breeze to invigorate a dying landscape — it’s hard not to see how narrative and genuinely artistic ideas have taken root for players the world over.

“With heightened, almost virtual reality, or hyperrealism in video capability now, we understand that it is more visually complex and that narratives are more complex, etc. But you don’t actually see how different it is in that progression, because we don’t actually look at it in that way,” Gilman said.

“So bringing them in here, and you being able to, start with the most pixelated, some of the most beloved, like Pac-Man. And you progress, and you can see them next to each other, you really get a sense of … not just the technical advances, but really, how visually and narratively complex things have become.”

“The Art of Video Games” is on display at the Toledo Museum of Art from now through Sept. 28. Admission is free.

Hart names Phipps executive creative director

0
new creative director Randy Phipps. Photo courtesy Hart

An executive creative director at an advertising company as far-reaching as Hart must possess a mix of passion, creativity and leadership.

Randy Phipps said he fills all those criteria. The former senior art director for the company took over the creative director slot June 2.

“It’s coming home, but, at the same time, it’s a fresh start,” Phipps said.

new creative director Randy Phipps. Photo courtesy Hart
New creative director Randy Phipps. Photo courtesy Hart

President and CEO Mike Hart said he is glad to have Phipps back at the company.

“We’ve followed Randy’s career and are pleased to have him back to lead our creative team,” Hart said in a news release. “Long ago, I learned that beneath Randy’s easygoing nature is a talented dynamo.”

Phipps grew up in Butler, Pennsylvania, just north of Pittsburgh. His mother was an artist, and her creative inclination inspired him to pursue an artistic career.

“She did it because she was passionate about it and she passed that passion on to me,” Phipps said. “Ever since I was young, I did a lot of drawing, a lot of creative thinking. It naturally kind of fell into place for me when I got to college.”

Phipps attended Kent State University, where he majored in visual communication design. He found his calling when he joined Hart as a young businessman.

“There’s a competitive nature to who I am, so that fits well into the advertising world,” Phipps said.

From 1998-2006, Phipps worked at Hart as senior art director.

“It was a little more hands-on, the day-to-day of creating designs and messages (compared to his new role),” Phipps said.

In 2006, Phipps decided to transfer to Toledo-based brand agency NORTH, which sent him across the globe for assignments.

“Pretty much, you can put a dot on a map and I’ve been there,” Hart said. “There was a lot of world travel. That was intriguing.”

During his time abroad, Phipps worked on material and communications for the Sochi Olympic Games, the Australian Open and the 2018 FIFA World Cup in Russia. Once he had explored the world, he decided he needed a change of pace.

“I was ready to move past that and move into a stronger role,” Phipps said. “The travel was exciting, but, once I fed that need, it was nice to be back. I can focus on doing great work and being with family.”

As executive creative director, Phipps has broader control and an overseer role.

Phipps’ goal at Hart is simple: Bring out the best in the company.

“It’s really to bring the creativity to a higher level and bring a little bit of international feel and flavor that I’ve gained through my previous job to Hart,” Phipps said. “It’s not a whole lot more difficult than that, elevating the level of work.”

Phipps said he sees a few challenges ahead of him.

He said Hart has one of the largest teams and one of the largest client bases in Northwest Ohio.

“Being on top of design, marketing and messaging trends across a vast number of clientele is probably the biggest challenge,” Phipps said.

Phipps said his positions at Hart have been ideal, because the company offered him the opportunity to do what he loves and meet quality people.

“Being in a great town where I can raise my family but at the same time do tremendous work and work with tremendous people, this would be my dream job,” Phipps said.

Phipps’ family includes his wife and son, who he said were very excited about the career move.

“They were glad that I came back,” Phipps said. “They know a lot of people here and we’ve made a lot of connections with people here at Hart over the years.”

Phipps prides himself on both his work and his ability to maintain healthy social relationships outside of the workplace.

“There’s a sense of professionalism that comes with being in the position that I’m in,” Phipps said. “To be able to be in this position and to maintain a good working relationship and friendships is what I’m most proud of. My job is what I do, but it doesn’t define who I am. The friendships I have built, that’s what I’m most proud of.”

Phipps said young professionals should consider all ideas before deciding to act in professional situations.

“Always keep an open mind,” Phipps said. “Great ideas can come from anyone, anywhere at any time. To have an open mind and always listen before you speak, that would be one of the best pieces of advice.”

Phipps said he is grateful Hart gave him such a warm welcome.

“I missed being here after I had left,” Phipps said. “Even though I had some great experiences and great professional times and I grew in those times, I always had a longing to go back.”

Pounds: Military Yearbook: call for submissions

0

Newspaper people measure time not just by hours and weeks and months, but issue to issue. So it should not surprise me that our editorial staff is assembling our third annual Military Yearbook issue, but somehow that “third” is a jarring reminder of how quickly time passes.

.

.

Compiling these annual Toledo Free Press Military Yearbooks has been a humbling experience. Talking about service, dedication and sacrifice is easy; working with the men and women who live those ideals inspires gratitude and humility.

We are soliciting photos and messages from regional servicemen and servicewomen — at no charge to the families — to be compiled in our special issue.

To be included, email a high-resolution photo of the military member along with a short message to [email protected] by June 24. Also include the member’s full name, rank and military branch with each photo. Submissions can be of current military members or veterans.

There are an estimated 80,000 veterans in the eight-county area served by our regional Veterans Affairs offices. Add to that the number of active military members and guardsmen and you have more people to thank than you will ever be able to reach one at a time. In the Military Yearbook, to be published June 29, you will see scores of local men and women who proudly wear the uniform of the United States military. You will see photos of service members in faraway deserts, a world removed from their family and civilian lives. As the father of a serviceman, Army Cpl. Austin Pounds, I know we pray for the safe return of each and every one of them.

The stories in this upcoming issue — the brainchild of Toledo Free Press media writer Jeremy Baumhower and the product of Managing Editor Sarah Ottney and Project Editor Amanda Tindall — offer a glimpse into the services offered to our active military members and our veterans by several groups run by people who approach their work with the same righteousness and generosity as the people they serve.

We greatly appreciate the people who will share stories, send in photos and bare their souls to impart their wisdom. We thank the advertisers who are signing up to support this issue, especially Newsradio 1370 WSPD, Columbia Gas of Ohio and the American Red Cross of Northwest Ohio. Each of these groups made time and brainpower investments that helped us plan this special coverage.

On the verge of our country’s July 4 birthday, we stop to reflect on our freedoms, liberties and the countless lives cut short so that we may carry on.

We stop to think about the families without fathers and sons, without mothers and daughters. We stop to think about the bodies without limbs and minds without peace. This issue is our modest effort at saying thank you.

Thank you for your service, your dedication and your sacrifice.

Thomas F. Pounds is president and publisher of Toledo Free Press. Contact him at [email protected].

Miller: Red, white & you, too

0

After compiling nearly a dozen CDs of local music for charity, the question I am most frequently asked is, “Aren’t you running out of local bands to include?”

As this summer’s “Red, White & You, Too!” CD demonstrates, the sonic answer is a resounding “No!”

.

.

There are some musicians I lean on because I am a fan and it is an honor to work with them, even as a passive facilitator; Kerry Patrick Clark, Kyle White, Pat Dailey, Jeff Stewart, Carmen Miller, Mike “Mad Dog” Adams and TAPESTRY are just a few of my favorites. Another, Eddie Boggs, passed away this year, but will still be represented on the CD.

Many of those stalwarts are included on “Red, White & You, Too!” (100 percent of sales benefit the area’s Red Cross military services and disaster relief services) but it is exciting to report the CD is rife with artists making their Toledo Free Press  CD debut: Fish Fisher, Birds of Chicago, Nathan Roberts

& The New Birds, Tropic Bombs, Zak Ward, Thirsty Houligans, Bob Stevens and Scott Fish and Distant Cousinz.

For last summer’s inaugural Red Cross CD (which includes tracks by Chrys Peterson, The Bradberries, Crystal Bowersox, Alyson Stoner and several more artists and is also available in limited quantities this summer), I relied mostly on cover tunes. But as local bands began submitting songs this year, it became clear that the quality of their original recordings was so strong, the material could stand on its own; it may sound odd, but I am proud of each track, from its writing to its production. You will hear songs on “Red, White & You, Too!” that are better than most of what you will hear on mainstream radio this summer.

The official cover for the

The official cover for the “Red, White & You, Too!” charity CD.

Among the many highlights of the 21-track CD are two songs by Fish and Distant Cousinz that highlight a recent local story that made international headlines. “Marlee’s Freedom” and “Lucky Day” are about the children of Tiffany Eckert and Army Sgt. Andy Eckert, who was killed in Iraq in 2008. The story of daughter Marlee’s connection to freedom and the tale of son Myles finding $20 and “paying it forward” to Lt. Col. Frank Dailey are recounted on the CD’s bonus tracks, both with the blessing and input of Tiffany. It’s a fun and summery CD, but these two tracks serve to remind us why it exists.

I always appreciate Put-in-Bay’s “Christmas in July” weekend, so a brief interlude on the disc provides music for that event; the rocker “Christmas in Killarney” by Extra Stout and the original “Xmas  in Jail” by Thirsty Houligans linger on the season just long enough to make you want to take a sprig of mistletoe to the beach.

In two weeks, Project Editor Sanya Ali will present a special issue with stories on the musicians who contributed to the CD and a look at the work of the local Red Cross. In the meantime, stop by any area Big Boy or Ralphie’s restaurant starting next week and get your copy; it’s $10 for 21 tracks, and there’s a $4 Big Boy/Ralphie’s coupon inside.

Great local music, great local meals and a great local cause … is there a better way to enjoy summer?

Michael S. Miller is editor in chief of Toledo Free Press and news director of Newsradio 1370 WSPD. Email him at [email protected].