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Song of Toledo winners support Project iAm

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Empire Drift

Empire Drift’s Acoustics for Autism benefit CD contribution is “Piece of Heart,” a song recorded in 2009 — the same year the band’s “A Good Place To Call Home” won the inaugural Song of Toledo contest.

“It seemed like a good fit for Acoustics for Autism,” said percussionist and vocalist Allen Spencer.

Started in 2007, Empire Drift is a hard-to-classify band with music ranging from piano/acoustic to aggressive alternative songs. The band’s name comes from band members’ tendency to “drift” from genre to genre.

They claim to be the only band in the world to perform a “power hour” (60 songs in 60 minutes) and they gave away more than 17,000 copies of their debut album “Reality is Genius.”

Empire Drift also won the 2008 Regional Superstar Competition, which earned them a recording contract for their second album.

Although the band is currently inactive due to its members living in various parts of the country, they’ll be headlining the March 15 St. Patrick’s Day Party at The Blarney Irish Pub and playing at the Roundhouse Bar on Put-in-Bay this summer.

“We have another album coming out this year with new material we’ve been working on,” said Spencer, who has been involved with Acoustics for Autism every year since it started, performing in various bands and acoustic sets.

“Over the past 10 to 12 years, I’ve had a handful of friends who’ve worked full time at Bittersweet Farms, which houses and takes care of people with autism and similar disabilities,” Spencer said. “I’m happy to be part of the event and plan to continue taking part in it.”

For more information on Empire Drift, or for a free download of their album, visit www.empiredrift.com.

Family band features kid-friendly tunes

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Wilson Lake and the Rock Bass

Wilson Lake and the Rock Bass began when singer-songwriter Tom Jackson wrote music for his family to sing at their cottage.

Jackson became interested in sharing the kid-friendly lyrics of his folksy tunes outside his close circle. He recruited his father-in-law Don Staczek and his friend Sandy Skala.

“It’s rock ’n’ roll with a ’50s vibe,” said Jackson of his group’s sound.

Once the band had created enough songs about hiking, camping and other outdoor activities, they released their self-titled debut CD.

Since adding two more members — Brian Strong on keyboard and vocals and Mike Harshman on bass and vocals — they’ve followed up with their second LP, “Ultrasonic Adventurephonic.”

The band is interested in spreading autism awareness with nonprofits like Project iAm due, in part, to the rising percentage of children diagnosed. As a high school English teacher, Jackson see firsthand how autism affects daily lives.

“I have children of my own who are not autistic, but knowing the rising number is out there, I want to make people more aware,” Jackson said.

“It’s a great cause and everyone associated has done a great job. I’m just happy to be part of it.”

For more information, visit www.wilsonlakeandtherockbass.com. Wilson Lake and the Rock Bass will perform at 3 p.m. March 9 in The Village Idiot’s outdoor tent.

Barile’s ‘Pitter Patter’ recalls adventure of raising daughter

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John Barile

John Barile’s career as a musician has been all about going with the flow and letting things fall into place.

Originally from Cleveland, Barile visited Toledo in 1991, and ended up staying longer than he anticipated.

“I came up here to visit some friends, and I ended up playing at Frankie’s one night, and was offered [a gig] every Wednesday.”

Barile was introduced to the world of music by his father, playing druims at age 5.

One day he just decided to stop playing drums, and picked up the guitar.

The change has worked well for him since.  Barile has been a Toledo regular along with his frequent musical collaborator, longtime Toledo musician Bobby May.

“Me and Bobby just take all the covers we know and make them our own,” Barile said.  “Everything we do, we make our own.”

Barile added that he enjoys the wide range of songs that he is able to play with someone as experienced as May.

“It’s a joy and an honor to play with him.  He’s forgotten more songs than I’ll ever know in my lifetime.”

Barile was first asked to join Acoustics for Autism by his friend and its founder, Nicole Khoury.

“Nicole and I did an acoustic duo for a while,” Barile said.  “And me and Bobby have been doing [Acoustics for Autism] ever since it started.”

For the new Acoustics for Autism CD, Barile wrote a song, “Pitter Patter,” about his daughter.

“For the first 3 and a half years of her life, I would lay on the couch and always hear her little feet running up and down the hallways, and it would make this little ‘pitter-patter’ sound on the wood floors.  It’s about the things we’ve done so far, and the things we’re going to do.”

Barile noted that he and May usually take most of the winter off, but play more frequently during the warmer months.

“It gets a little hectic.”

Despite the busy schedule, Barile is happy to be a musician in the Glass City, and content with his place in the musical universe.

“I’m not worried about 30,000 people and millions of dollars,” he said.  I like doing what I’m doing now.  I like walking into a bar, and being able to make one person’s night.  It makes everything worth it.”

“People around here that come and listen to music are fantastic.  They support it 100% in this city.  The musicians in this city, I will put up against any musicians in the country.”

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Captain Sweet Shoes’ Anthony Beck follows dream with solo project

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Anthony Beck

Northwest Ohio native Anthony Beck is no stranger to the Toledo music scene, having started his first band when he was 15, and he has been a long time supporter of Acoustics for Autism (AFA). This will be Beck’s fifth year performing at the AFA benefit concert alongside Allen Spencer as acoustic duo cover band Captain Sweet Shoes, and his first year contributing to the charity’s compilation CD.

“This is the first time I’ve done a solo work. I’ve been a part of five albums with three bands, but I have never done anything solo,” said Beck, whose acoustic-style is influenced by artists such as Thom Yorke and Sigur Rós. “It’s a little scary. If you’re part of a band, it’s a group effort and the audience judges the band, but solo is different in that people are judging you directly.”

For the AFA album, Beck is contributing a piece entitled “Iron Soul,” which is about never giving up on one’s dreams and choosing the road less traveled. Beck was inspired to write the song by watching a friend choose the “safe path” in her career and relationships at the expense of her own musical ambitions. 

“I saw her walk away from her talents and the abilities she was blessed with to follow the safe path. ‘Iron soul’ is about the dangers of that safe road. The hook is the song is: ‘Safe is an iron soul if you can stay on dry ground.’ It’s a warning that your soul can turn into a cold, hard, impenetrable thing, the weight of which can carry you under.”

For Beck, “Iron Soul” is more personal than just some observations on a friend’s choices. This song, as well as the album he is working on, are his first efforts at song writing in three years. “I wrote ‘Iron Soul’ as a reminder to myself,” he said. “My band had just broke up. I got a 50-hour a week job in corporate America. That seemed like the safe thing to do. This song is a reminder not to give up on what I’m passionate about. Else, the weight will pull me under.”

Beck has worked as a semi-professional musician touring regionally with his band in the past, but this year he made a personal resolution to create a solo album. “I’m no less passionate or serious than before, but now I don’t have to write for anyone’s ears but my own.” Beck has worked on every aspect of this solo work independently from his home, except for bass tracks played by Dave Thatcher. 

It means a great deal to Beck to have his first completed solo song appear on the first AFA compilation CD.

“They’re a phenomenal cause. I have a cousin who is autistic so when I heard what they were doing years ago, it immediately piqued my interest. If you can play an awesome show with some of most awesome musicians in the area, it doesn’t get any better than that.”

For more information, visit www.captainsweetshoes.com. Beck is performing at 4 p.m. March 9 on The Village Idiot Main Stage.

Poormercy revives decades-old song for CD

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Poormercy

The end of “Ides,” a track by Poormercy featured on Project iAm’s Acoustics for Autism benefit CD, features a sample of actor Charlie Chaplin.

“[He says] ‘I don’t want to be a judgmental person. I don’t want to be a dictator. I don’t want to be an emperor. There’s room for everyone.’ You don’t have to have any one big ego, if you will,” said Poormercy band member Shawn Daley.

The track was recorded in 2004 by Poormercy, which formed in 2003 but has been on hiatus since 2007. It was written for an EP the band promoted during a nationwide battle of the bands contest for Fuse.

“The winner won a recording contract and we got nothing,” Daley said. “The song kind of was fitting. You always have to be better, faster, stronger [and] you have to meet all these criteria to be the best but you’re never going to be good enough and, sure enough, it was life imitating art.”

Daley said everyone faces being told that they’ll never be enough, but he says there’s room for everyone.

“The mentality going into that session … [was] the mythological idea of pushing the boulder up a mountain; that was the starting point for that track,” Daley said.

Daley said it was an “incredible honor” to be included on the Acoustics for Autism benefit CD. He’s been familiar with the program and will be involved with the event later this year.

“I’m the DJ that warms the crowd up before the headliner,” Daley said.

Daley said the CD project highlights talent. He added that the people involved deserve to have the spotlight shone on them.

“I’ll give every ounce of resource that I have [to this],” he said. “If I can inspire someone else to do the same, then they can inspire someone to do the same and the next thing you know, it’s not just a hobby or a side project, it turns into a movement. It actually can change people’s lives.”

Today, Daley is working on unreleased music and hopes to debut an album “in the near future.”

Woods donates song to charity

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Joe Woods had his mind ‘in the clouds.’

The Toledo performer contributed the inspirational track “In the Clouds” for the “Acoustics for Autism” benefit CD after writing it six months ago. Woods said the song is about pushing forward and not taking anything for granted, especially when you’re a musician.

“Just keeping on the right track, basically, and not letting other things influence you negatively,” he said.

Woods is happy to have the song featured for the charity, which he has been involved with for five years. He jumped at the opportunity to be involved again this year.

“It just seemed right, I guess,” Woods said.

The song begins with an intro of acoustic strumming and a chorus of Woods’ falsetto. Lyrics include “Will you consider being a friend to tell it like it is? It’s those short summer days and long winter nights, I tell myself that you got your head in the clouds.”

Woods said he sees Acoustics for Autism as a chance for local talent to gather for a cause. He added that one aspect the area has to brag about is its art scene.

“The whole day is just a great day,” Woods said. “After this event usually ends, I think it kind of sparks people’s art. I think after this event, people realize how much art strives [in] this town.”

Woods has been playing music since he was a child, coming from a family of musicians. He has been performing professionally for about four years.

“I’m still a newbie,” Woods said.

The song is a current single for Woods and will appear on an upcoming album he is working on, yet, there is no release date set yet. He hopes it will be out in the next couple months.

Pounds: Gallagher Gone

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“The end of an empire is messy at best.”
— Randy Newman


Jon Stainbrook’s post at the Lucas County Board of Elections (BOE) is not an empire; it’s more like a sandbox with one petulant kid trying to commandeer everyone else’s toys. But things are clearly getting getting messy for the contentious political power broker wannabe.

On March 4, after longtime urging by the Ohio Secretary of State’s office, Meghan Gallagher was replaced as director of the BOE.

Stainbrook lobbied hard to keep his pal Gallagher, but the other three board members disagreed, naming board secretary Gina Kaczala to director by a 3-1 vote. Dan DeAngelis was retained as deputy director, with Stainbrook again the lone dissenting vote.

A Toledo Free Press photo tells the story. As Kaczala is being sworn in, Stainbrook is seen leaving the meeting, by all accounts carrying his anger and frustration out of the ceremony as fast as his sneaker-clad feet could carry him.

“I have absolutely no confidence in Gina Kaczala being capable of running this election for the primary in May,” Stainbrook said. “Gina has no management skills, no professional ability and is incapable of telling the truth. The voters in Lucas County deserve better.”
That’s a fine, cooperative note for the county GOP chairman to strike with the new director, isn’t it? It is also one of the great examples of the pot calling the kettle black you are likely to see enacted in politics.

It is no secret that the root problem at the BOE is not just the people he has maneuvered into place, but Stainbrook himself. Watching some of his former allies assert some actual independence in opposition to Stainbrook bodes well but is just a start; as long as he remains at the BOE, there will be, not healthy debate and discussion, but squabbling and confrontation.

Removing Gallagher, who will be less than a footnote in the history of Lucas County politics, is an encouraging step.

As we have since the beginning of this sad and sordid journey, we continue to urge Secretay of State Husted’s office to closely monitor Stainbrook and facilitate his removal from this crucial yet untrustworthy entity.

Miller: Tucked

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It has been 18 months since the bariatric sleeve surgery that marked the beginning of my new life. I shed nearly 200 pounds and kept it off through a diligent daily exercise regimen and a disciplined approach to eating. There have been mistakes and backslides, especially during the holiday season, but they were thankfully minor and easily shaken off.

The culture shift for me has migrated from focusing on losing weight to focusing on maintaining the lifestyle required to keep the weight off. It’s not great insight that it’s more fun watching the needle on the scale drop than it is seeing it vacillate within a 5-pound range.

The payoff manifests itself with literally every breath I take. I am too deep into middle age and comfortable in marriage to be overly stressed about aesthetics (as anyone who has been treated to my revolving wardrobe of football team hoodies and comic book T-shirts will attest) but there is an element of ego gratification in the compliments when people notice that my hard work has paid off.

Yet the real treasures are the simple ones. There are new freedoms: not being tired all the time, not being a moth to fast food light boxes on highway exits, not being a liar when it comes to shuffling money to pay for secretive food indulgences.

I love the long outdoor walks, the increased activity with our young sons and the renewed intimacy in my marriage. Add in the health benefits of no longer trying to fill the space John Candy used to occupy and I do not have an iota of regret about forfeiting 85 percent of my stomach via medical science.

At my one year checkup in September, my doctor asked if I was considering the follow-up surgery for skin and remaining fat removal.

During my era of changing dietary habits,  I was an avid viewer of “Man vs. Food,” the TV show starring Adam Richman in which he travels the country participating in eating challenges, such as chewing through a bucket of what looks like 3,000 chicken wings in 45 minutes or eating a chocolate fudge sundae with enough ice cream to fill Sofia Vergara’s halter top. It was a vicarious thrill to watch somebody eat their way through eight feet of Philly cheese steak when the most I could nosh at one sitting was a half of a grilled chicken breast. But as I morphed from losing to maintaining weight, I discovered another gastric freak show to watch: “My 600 Pound Life.”

On that program, people undergoing gastric bypass surgery are documented for one year. Each episode starts with a somber black screen that informs viewers that fewer than five percent of such patients successfully keep the weight off.

That’s a greater failure rate than for those attempting to quit smoking.

A number of the people on “My 600 Pound Life” start their journeys at 700 pounds or more. More than a few die during their year of documentation. It is stunning to watch the depths of denial and gluttony in which some of these folks are drowning. It is a somber show, in stark contrast to the goofy hedonism of Richman’s food orgies. It’s not as simple for me as watching it as a cautionary tale to not go back to that lifestyle. It’s more of a relief that I was able to stop my catastrophic gain at 400 pounds, a number which haunts me for its irresponsibility and recklessness. I watch “My 600 Pound Life” with a pervasive sense of “There but for grace of God go Shamu and I.”

My doctor told me that although my body and skin had rebounded remarkably well from the weight loss, I undoubtedly qualified for the skin removal surgery and abdominoplasty, commonly referred to as a “tummy tuck.”

As I rapidly learned, referring to the procedure as a an abdominoplasty elicited far more gravitas than calling it a tummy tuck.

And I discovered, no matter what I called the surgery, I was tucked either way.

Next week: Compression garments, Davol drains and the 27-inch shark bite.\

Acoustics for Autism: Michigan teens Bulletproof Snow have ambitious dreams

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Bulletproof Snow

A majority of great success stories come with equally fantastic tales of hard work, and Trey McLaughlin’s biography is no exception.

With help from his dedicated dad Brian McLaughlin, the 17-year-old started his self-described “modern rock” band two years ago and is already playing in impressive venues around the country.

Balancing his coursework, social life and family time, Trey has managed to grow the band’s recognition with three fellow rockers and create new music for the boys to perform at their various gigs.

Bulletproof Snow consists of four high school students  from Michigan’s Livingston County. Trey, who is lead vocalist and plays guitar, is joined by Connor Cheney, 17,  on drums, Jake Yacobelli, 17, on lead guitar and Matt Coon, 16, on bass. Cheney, Yacobelli and Coon also provide backing vocals.

Trey credits the group’s inspiration to big-name rock bands including Foo Fighters and the Goo Goo Dolls, along with ’80s metal crooners Skid Row. This mashup of catchy genres is vividly reflected by Bulletproof Snow’s sound.

Its single “Punished for My Innocence” left a lasting mark on the organizers of benefit concert Acoustics for Autism and snagged a four-minute slot on the nonprofit’s new compilation album. Proceeds from sales go to Project iAm, a group that benefits families affected by autism in Northwest Ohio.

“It’s something nice that provides a lasting memory for people,” Brian said of the album.

Though the band members are elated to have a spot on the playlist, it wasn’t earned simply with catchy lyrics and an upbeat track. The teens are seasoned pros on the benefit stage. The group has performed at the Acoustics for Autism benefit held at The Village Idiot in Maumee for the past three years.

“It’s a great event to get behind,” Brian said. “Trey had a friend he hung out with a lot when he was younger who had a little brother with autism. Trey actually spent a lot of time with him at their house and experienced firsthand what it’s like to deal with autism in the family.”

“It’s tough,” Trey said. “Just being able to support it, we’re extremely happy to.”

As for Cheney, Yacobelli and Coon’s futures, their goals are to pursue professional careers in the music industry after graduation.

“That’s Trey’s dream, so we’re giving it a shot,” Brian added.

Bulletproof Snow has a few events on the horizon, including a trip to Austin, Texas, for SXSW musical festival later this month and, of course, the Acoustics for Autism event March 9. The group is slated to play at 2 p.m. in the outdoor tent.

Higgins: Climate change denier

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I hereby freely admit to being a climate change denier. I’ve listened to all the accounts, from the news readers to the opinions of pundits, and have read some of the limited amount of scholarly work on the subject. I find nothing in this body of work to convince me the issues involved are anywhere near settled. Further, I deny that the arguments put forward on the subject appear to have any merit.

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This is not to say I disagree that the climate is changing. Instead, I’m convinced the changes occurring are little more than trends and natural movements that occur over time. Little if any of this movement appears to be man-made nor do man’s actions seem to have any significant effect on it.

Now for those of you already composing hate mail to me or to TFP Editor in Chief Michael S. Miller and canceling your free subscription, I’m talking about the political climate.

In spite of the endless stories (especially recently) regarding this notion of political climate change, little of it seems to actually be occurring. Some insist that the apparent cooling coming from the “Alphabet Fallout” cloud of the NSA and the IRS must surely prove the theory. Others are sure the “Benghazi Effect” and what it’s done to heat things up before the next election should be proof for all to see. Still others disregard these contradictory temperature claims and instead talk about the growing holes in the “Obamacare Layer” as proof that far-reaching and permanent political climate change is imminent. Nonsense!

Some even erroneously cite so-called statistical proof, using the alarming disapproval rate earned by Congress. Such claims are greatly exaggerated. While it’s true the current legislature carries a spectacularly low approval rating of 17 percent, the dirty little secret is Congress’ approval rate has seldom risen above 30 percent in the past 40 years.

Don’t get me wrong. The political tide certainly appears to be rising for the GOP, but this movement hardly seems permanent and may be a trend that ends with the 2014 election cycle (if not sooner). Part of this is because Democrats (and their media minions) seem far better at telling their story than their opponents, even when that tale is largely fiction. The rest, however, is because of the unfailing ability of the GOP leadership to snatch defeat from the jaws of victory. (Can you say John McCain or Mitt Romney?)

Scholars have for years attempted to tell us that our nation is a center-right electorate. History shows us, however, that when the current group of neoconservatives in the Republican Party wins, they celebrate by apologizing to their opponents before moving in their direction, making that victory little more than a Pyrrhic one.

Instead of becoming evidence of change, such results are more likely to prove its absence. They highlight the inability of today’s political climate to show real change, regardless of who’s in charge. This entire process is reinforced by a plurality of low-information voters who seldom look beyond name recognition in choosing candidates, regardless of party affiliation or prior performance.

Available data, as determined by the length of Congressional service, tends to support this. Rep. Marcy Kaptur’s interminable 31 years in office, for example, doesn’t even rank in the top 100 on the historical “Groundhog Day” list of service in the national legislature. Michigan Rep. John Dingell currently holds the title of Congress’ “never-ending gobstopper,” but plans to retire this year after an uninterrupted 59-year tenure. Rumor has it his legacy will likely be carried on with his younger wife (a lobbyist) attempting a move from understudy to title role, and cashing in on said name recognition in her run for the open seat.

The climate of politics is not something easily influenced by the rhetoric of its participants, the heat of the issues nor the apparent coolness of the electorate to its representatives. It is perhaps far too placid (if not flaccid) to have its tides easily stirred. Those of you thinking you see a sea change coming, with a permanent rise in the depth of the Republican Party (especially that of some of its conservative elements) — think again. Wild and unproven theories may continue to exist, but real political climate change can and should be utterly denied.