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Frostbitten: Collingwood Arts Center seeks heating help with benefit Nov. 29

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Winter’s early onset has everyone seeking warmth.

The Collingwood Art Center (CAC), 2413 Collingwood Blvd., is in particular need of heat after two of its three boilers went out last winter. Although the center has received offers from Campbell Mechanical, Campbell Supply and Local 50 of The United Association of Journeymen and Apprentices of the Plumbing and Pipefitting Industry to help with its current boiler and pricing and installation of the new boilers, it will still cost the CAC about $19,000 to properly heat the building.

In an effort to help raise money for the project, CAC is hosting a fundraiser, “Frostbitten: A Variety Show Featuring the Best of CAC” at 7:30 p.m. Nov. 29. The show will feature performances from groups already performing at CAC, including Birds Eye View Circus, Children’s Theatre Workshop, Charity Drag of Toledo, Loa Fire and the T-Town Tassels.

Advance tickets are $9 each or $15 for a pair. Children 12 and under will be $5. Advance tickets can be purchased at the CAC or online at www.frostbitten.brownpapertickets.com. Tickets will be $12 for adults and $7 for children 12 and under at the door. Doors open at 7 p.m.

“We’re in a situation where it’s imperative to get heat in the building in order to continue operating just to keep the businesses that are already in place and to continue to be able to rent the theater,” said Lexi Staples, CAC executive director.

The need for the boilers was particularly disappointing for the center because officials thought the situation had been remedied earlier this year when a group of community members offered to donate and install a boiler that would replace the center’s three older boilers.

When the engineers prepped for installation in September, they discovered it was too large and would be too inefficient for the needs of the CAC.

After discussing ways to raise the money with Erin Garber-Pearson of Birds Eye View Circus, Staples decided to move forward with the “Frostbitten” fundraiser.

“It’s really cool to see the community coming together to support this community space that is so much already but could be so much more,” Staples said.

Garber-Pearson said the circus wants to do whatever it can to help out its performance space.

“We train and perform in the theater,” Garber-Pearson said. “It’s really important to us the CAC theater is warm. We just made an investment in that building in general and want to see it succeed. We will basically do whatever it takes to help support that place.”

Birds Eye View Circus will take some of the top acts from its recent “Toy Chest” show, including acrobatic acts, trapeze, aerial hoop, silks and double silks elements.

“Frostbitten” is just the first of several fundraisers for the boiler project, Staples said. The CAC is also accepting donations online at www.gofundme.com/h9wk3s/.

“From kids’ acts to fire breathing to the circus, it’s going to be a crazy and interesting evening,” Staples said.

The Mission of the CAC is to provide an outlet for creative community involvement while preserving a historic space. For more information about the CAC, visit www.collingwoodartscenter.org.

County to buy, demolish former Hotel Seagate

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Calling it an “eyesore and a nuisance,” the Lucas County Commissioners announced their intent to purchase the former Seagate Hotel for $1.38 million and demolish it to make room for potential future development.

The 19-story building, which has been vacant for years, was built in 1970. It’s located at Summit and Jefferson streets across from Promenade Park.

“It is our intent to buy it and demolish it … for the good of the recovery of Downtown,” Commissioner Pete Gerken said at a Nov. 18 news conference.

The Commissioners declined to name potential partners, but Gerken said there is one public and one private entity interested and Commissioner Tina Skeldon-Wozniak said the partners are “soon to be named.” Costs are expected to be evenly divided amongst partners with the commissioners saying they expected to pay a third of the purchase price in the end.

Contrada called the site’s location “strategic” to other Downtown development projects, including ProMedica’s move Downtown and the Mud Hens’ plans for Hensville.

“This really will link the Downtown sports and entertainment district to be part of a new and revitalized Downtown,” Contrada said. “We’re really excited about its location and its potential and our partnership ability, to work with the private sector and other public partners to be able to continue the investment and renaissance of Downtown Toledo.

“This is where the action is. We are seizing the day, seizing the moment to continue our commitment to making this a great place to live, work and play.”

The building would likely be demolished sometime in 2015 as the building contains asbestos and environmental work needs to be done at the site first. The c0unty worked with the City of Toledo on an environmental study of the site and the city plans to include cleanup costs for the site in a grant application it is writing that includes several downtown projects.

In June, the county’s community improvement corporation entered into an option with Louisville Title Agency to purchase the property. The review period was extended three times and the option period now ends this week.

“That property has been an eyesore on our Downtown for over a decade,” Gerken said. “With Downtown coming into what we like to refer to as a recovery mode or revitalization mode, it’s time to clear the flight at the main intersection of that revitalization. The board felt it was our responsibility to do that.

“Every real estate deal needs a motivated buyer and a motivated seller and after 10 years we found both,” Gerken said.

Gerken said the county’s acquisition and demolition of the building will serve three purposes: eliminate blight, add development opportunities and — at least temporarily — create new green space.

“Some people will ask, ‘Is this a wise use of taxpayer dollars?’ Yes it is. One of three things will happen and they’re all good,” Gerken said. “It’s a blight elimination project in the middle of our Downtown. It will add to the chess board of Downtown another piece for future redevelopment. And even if there is no further development there in the near future, it adds green space and livability and walkability and sustainability for our Downtown.”

Start to perform Irving Berlin classic ‘White Christmas’

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From Nov 21-22, Start High School will open its biggest musical theatrical production to date, “White Christmas.”

“It’s intense. It’s a big musical for Start, that’s for sure. It’s different than the one we did last year, double the amount of music, double the amount of orchestra,” said director Nancy Ludden.

Scott McGorty, producer

Scott McGorty, producer

There are 22 kids in the cast, many of whom are new to jazz and tap dancing, which are prominent throughout the show.

“A lot of them are first-timers, and a few have taken dance courses before,” said producer Scott McGorty. “A lot of them have really taken the initiative and really stepped up to the plate with what we’re throwing at them.”

McGorty said the experience has provided a great learning curve for everyone involved.

“It wouldn’t be fun if we did the same show over and over again,” he said.

“The most challenging aspect is the music,” Ludden said. “The classic Irving Berlin music is challenging for young voices, but the kids have definitely risen to the challenge. Also, we have a giant tap number in the show.”

The musical follows two men who organize a Christmas show in order to save a neighborhood’s livelihood.

This production is the second musical Start has done in seven years. Musicals were reintroduced to the school with last year’s production of “The Drowsy Chaperone.”

“We have college-level musicians who often don’t get noticed. So it’s nice to bring them together for the community to see the young people and how hard they’ve worked,” Ludden said.

“White Christmas” will be performed at 7:30 p.m. Nov. 21-22 at Start High School’s auditorium inside the West Toledo YMCA, 2110 Tremainsville Road.

Tickets are available for $10 by calling (419) 671-3000. Reservations are recommended.

Killer Bill: Atlanta actor makes mark as ‘Too Many Cooks’ silent assassin

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The voice on the other end of the phone is kind. Bright. A little higher than you’d expect, given its owner. A definite southern twang — understandable since he’s lived in Georgia so long, though he’s Pennsylvanian by birth. He’s gracious, good-natured, a sweetheart.

William Tokarsky

You wouldn’t guess how natural he looks chopping people’s heads off with a machete.

William Tokarsky is his name, and for the past week or so his face has become the central image of one of the Internet’s most wildly successful viral videos.

He plays the killer — “Bill,” if the credit on IMDb.com is to be believed, though he’s never named in the short — at the center of the bizarre satire “Too Many Cooks,” produced by Cartoon Network.

RELATED: Writer/director Casper Kelly on creating new cult classic ‘Too Many Cooks’

“I was working as an extra for [director and writer] Casper Kelly on another show he does on Adult Swim,” Tokarsky said in an interview with Toledo Free Press.

“And we became friends, and he liked my look. And there were two or three other people he had in mind for that role, and we all submitted this little tape and audition, and he picked me. And I think I did a decent job.”

Tokarsky is putting it mildly. His gleefully crazed facial expressions and malevolent presence are key to much of the short’s dark comedy. It’s a look that has served Tokarsky well since he first began dipping his toe into acting.

“I retired from General Motors. And they were making a movie where I live. And suburban Atlanta has become a hotbed of movie and TV production. And I was talking to some people that used to be on the line working, and there’s people that were extras. And I thought, ‘Well, I could do that!’ And I just started doing that.

“I have a unique look that garnered me a position up front sometimes, to the point where someone tapped me on the shoulder on [The] ‘Hunger Games: Catching Fire’ [set] and said, ‘You have a speaking line next week if you want it.’”

No speaking lines were needed on the set of “Too Many Cooks,” though. Tokarsky’s silent maniac appears subtly at first, stalking in the background of many shots, to the point where many viewers may not notice him until he begins his mad slasher act in earnest. Even Tokarsky is surprised at how often he appears in the finished product.

“I never had a script when we did it. So basically, what occurred was, they would place me, or give an action, and I would do it. And you don’t necessarily shoot in order. So it was a surprise to me that we were playing ‘Where’s Waldo,’” he said.

“I watched it the first time, and never saw myself in locations — like the 22-second mark in, where I’m standing behind the little girl — I didn’t see myself there. But I was there when we filmed the damn thing! It’s like I didn’t see the big picture in Casper’s mind when we filmed it. He gave me an action, and I did it.”

The success of “Cooks” has come as a surprise for most. But even though Tokarsky admits he’s not exactly part of the demographic the short is aimed at, he said he had a feeling it would either be a colossal success or an equally memorable failure.”

“I was speaking with my wife, and I said, ‘Well, there’s one of two things that’s going to happen. This thing is going to stink so bad, no one’s ever going to see it. Or, it’s going to go viral.’”

Now that his latter prediction has come true, Tokarsky’s excited about the opportunities his sudden exposure may bring. “I would think I would get a few things out of it — you know, the creepy janitor on a TV show,” he said.

“I’ve found my genre; I’ve found what I can do. I’m retired, and I have a decent pension, so, as a friend of mine, another actor, said — ‘It’s all gravy.’ And I’m having fun with it, I got an agent last April, I’ve pretty much stopped doing extra work except for Casper — I’m going to work for him, because I like him, and he likes me, and maybe I can get a contract out of him on his other show!”

Is Tokarsky worried about being typecast, thanks to “Too Many Cooks”’ popularity? Not at all. In fact, he relishes the idea.

“I know who I am, so it doesn’t bother me,” he said. “If you want to act, you got to get an agent, you get an agent where they don’t have 10 other guys looking for your role. Because how many guys want to be the creepy guy?”

View “Too Many Cooks” on Adult Swim’s YouTube page: http://youtu.be/QrGrOK8oZG8.

‘Too Many Cooks’: Writer/director Casper Kelly on creating new cult classic

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It starts out looking like most any cliche, cheesy sitcom opening sequence from the ’80s. Upbeat, bland theme tune. Actors turning with a smile to the camera. All very familiar.

The cast of ‘Too Many Cooks.’ Photo Courtesy Cartoon Network

The cast of ‘Too Many Cooks.’ Photo Courtesy Cartoon Network

But then things start to happen that feel … wrong. The theme music never stops; it just keeps on playing. More and more cast members appear, bringing it past the point of being ludicrous. The show’s genre seems to change — from sitcom to cop drama to prime-time soap and more. And then there’s the creepy guy who suddenly starts killing the rest of the cast.

This is “Too Many Cooks,” the comedy short that is taking the Internet by storm.

RELATED: Killer Bill: Atlanta actor makes mark as ‘Too Many Cooks’ silent assassin

Produced for Cartoon Network’s Adult Swim late-night lineup, the dark satire first aired in the network’s “Infomercial” slot — meaning 4 a.m. on Halloween. But something happened when the clip found its way online, and soon the bizarre short exploded virally. In about a week, the myriad postings of the short — both official and otherwise — had garnered over 5 million hits.

At the epicenter of it all is a young writer and director named Casper Kelly, who is both ecstatic and a little dumbfounded.

“It is super, super — three supers — exciting and thrilling, almost veering into the other side, of flop sweat and panic,” Kelly said in an interview with Toledo Free Press. “I’m holding it together, having fun.”

Kelly is not a new voice among Adult Swim’s class of comedic subversives. He has worked for years at production headquarters in Atlanta, composing funny promos for Cartoon Network shows, writing for shows like “Squidbillies” and “Aqua Teen Hunger Force” and co-creating the series “Your Pretty Face is Going to Hell.”

Not typical fare, even for late-night basic cable, but Kelly revels in the creative freedom working at Adult Swim provides.

“It’s wonderful, and our boss, Mike Lazzo — he’s a tough audience,” Kelly said. “He’s a very sophisticated viewer, and gets bored easily. But when he likes what you’re doing, he gives you a lot of rope, a lot of freedom to try it. And does not micromanage. He gives you kind of big ideas at the beginning, and might give you ideas at the end, but in the middle, he lets you do your thing — which is great.”

Still, Kelly was hesitant to pitch the idea that would become “Too Many Cooks.” Though there was plenty of precedent for Adult Swim’s experimental ideas like it in their late infomercial slots, he wasn’t totally confident that the concept could sustain a full short.

Casper Kelly

Casper Kelly

“I had the idea, and I didn’t even tell Mike Lazzo, because I didn’t know if it would work. So I was afraid to pitch it. But I told some co-workers, who at a work party told him. And the idea made him laugh, so I had to do it at that point.”

Filming came together remarkably quickly given how complicated the finished product would prove to be, Kelly said. “Interestingly — and this was probably a good thing — we did not have a lot of time, because we had a narrow window open up where our production company could do it. So once I had the outline, I think we only had a couple of weeks. So I just had to think about it constantly and just kind of throw down every idea I could.

“We had a lot of time in post, but leading up to it was a mad dash. And so much work was getting headshots, and finding people that had the right look, to give you the feeling for that character.”

Another crucial element would be the short’s music — that initially chipper tune that mutates into forms that are dramatic, haunting and more. Kelly was hands-on with its creation, as well.

“That took a lot of time. I wrote the lyrics — most of the lyrics — and then we used one audio guy, who was great, and then it got to be too much. Because we had no money — he was doing it for us as a favor. He did as much as he could, and then we had to hand it off to someone else to finish it, who did a great job. I think I really got the best out of both of them.

“People were saying that song gets stuck in their head. It sure did get stuck in our head when we were editing it.”

Kelly has no plans to rest on his laurels, even now that “Too Many Cooks” has garnered such fame and acclaim in a brief amount of time. He’s hard at work on the second season of “Your Pretty Face,”  and said he’s primed and ready for whatever opportunities may arise.

“I’m excited, because I have opportunities now to make more stuff. And I have a notebook full of ideas, short films, and feature scripts and more. And I feel like a kid in a candy store right now.”

View “Too Many Cooks” on Adult Swim’s YouTube page: http://youtu.be/QrGrOK8oZG8.

Burwell: Impactful giving

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I’m asked at least once a week “How is the Toledo Community Foundation doing this year?”  Really, the question behind the question is “How is the community doing and how’s the giving to nonprofit organizations going this year?”

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I take great pride in telling folks locally and across the nation about the generous community in which we live. That is especially true this year as the foundation field celebrates the 100th anniversary of the first community foundation in Cleveland.

During the week of Nov. 12-18, more than 700 community foundations across America will celebrate Community Foundation Week.

While this has been an annual event for the past 25 years, most community foundations mention but never really celebrate the week. That’s because community foundations like ours work daily, out of the spotlight, to help bring about a better community by fostering local collaboration and innovation to address our community’s challenges.

Toledo Community Foundation operates as an independent public entity and stewards philanthropic resources from business, institutional and individual donors to local nonprofits that are the heart of our strong, vibrant community.

So when I answer the initial question, I’m not just thinking about the foundation, but of our community. At a time when government capacity to solve our most pressing problems is limited, the Toledo Community Foundation must do its part and work to offer real solutions. It is through our support and giving that we equip the right organizations for the front lines of positive change in our community.

The Toledo Community Foundation believes one of the only ways to achieve this goal of bettering our community is through the leveraging of relationships and resources — the days of going it alone either as an organization or a donor are past.

For giving to be impactful in today’s world, each of us must make a commitment to collaborate with local, state and national partners to tackle our community’s toughest challenges — in education, health care, job training and creation, poverty and more.

Toledo Community Foundation continues to help lead the charge to mobilize the commitment and creativity in our community to find new and better ways to improve the lives of our neighbors in need.

But even coming from a field with 100 years of experience, the Toledo Community Foundation cannot do it alone.  It will take all of us giving and participating in philanthropy.

The old expression is as true today as it was in the past — our community needs your “time, talent and treasure” to succeed.  And believe it or not, everyone can be a philanthropist. You do not need to be a Rockefeller or Gates to make a difference.  There are opportunities for you to help, both in your lifetime and beyond.

I speak daily to folks about simple tools for giving that will result in future gifts to your community — be it an IRA, life insurance, real estate or other vehicle. Everyone can play in the world of philanthropy.

We often forget that the word “philanthropy” means the love of humanity. So both personally and professionally, I would say to you:  Be a philanthropist — show your love!

Keith Burwell is president of Toledo Community Foundation. To learn more, contact Philanthropic Services Officers Ken Frisch or Bridget Brell Holt at (419) 241-5049, [email protected] or [email protected] or visit www.toledocf.org.

Pounds: Bid in the balance

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Each year, the Lucas County Auditor’s Office is required by law to publish a list of delinquent land tax notices in a local publication.

Last year, the notices were published by Toledo Free Press, the first time a free weekly newspaper has published Lucas County’s list.

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Between January and March, delinquent land taxes owed in Lucas County were reduced by $10.7 million, according to county records. That’s $3.9 million more than the average amount recouped the previous four years and it was done at almost half the cost to taxpayers.

This year’s bids were opened Nov. 5. After reviewing bids from The Blade and Toledo Free Press, Lucas County Auditor Anita Lopez recommended Toledo Free Press publish the list. However, the final decision is up to the Lucas County Commissioners, who plan to vote on the recommendation Nov. 18.

The numbers would seem to make the choice easy.

Toledo Free Press bid $163,455 to publish the list in our Sunday paper. The Blade bid $377,137 for a weekday publication, or $397,223 to run the first of two lists on a Sunday.

Toledo Free Press has a Sunday circulation of 80,766, with a Lucas County circulation of 66,514. The Blade has a daily circulation of 59,035 (50,035 in Lucas County) and a Sunday circulation of 76,780 (63,498 in Lucas County), according to 2013 audit reports.

Our bid would save Lucas County taxpayers at least $213,000 and deliver to more homes.

It’s also worth noting that taxpayers who wish to see the information they have paid to publish would get that information at no cost with Toledo Free Press while they would have to pay for it (again) to read it in the daily newspaper.

Plus, while a daily newspaper comes and goes in one day, Toledo Free Press is available on racks throughout the county all week in addition to our home-delivered copies. With the list running once per week for two consecutive weeks, that’s 14 consecutive days of availability in Toledo Free Press compared to two days for The Blade. The list would also be published free online at toledofreepress.com and in our digital edition.

Toledo Free Press became eligible to publish legal notices with the signing into law of Ohio House Bill 153 by Gov. John Kasich in October 2011. The legislation eliminated the link between charging for newspapers and being permitted to publish legal notices. It opened the legal publication business to any “newspaper of general circulation” that publishes at least once a week and meets other criteria, all of which Toledo Free Press satisfies. The bill also requires the newspaper to offer its best classified rate.

Since then, The Village of Ottawa Hills, City of Toledo, City of Sylvania, Monclova Township, Lucas County Metropolitan Housing Authority, Toledo Public Schools, Metroparks of Toledo Area and Washtenaw County have published legal notices in Toledo Free Press.

Two years ago, Lopez recommended this contract be awarded to The Blade, even though Toledo Free Press’ bid was much lower ($86,100 compared to The Blade’s $330,617), citing Toledo Free Press’ lower circulation in areas such as Neapolis and Curtice.

“[In 2012] I thought it was important to go with the broader circulation because of what we were doing,” Lopez told Toledo Free Press earlier this year. “The most important reason why this ad has to occur is to protect property rights. That goes beyond the bottom-line dollar. You have to balance that, but when we’re saying, ‘You’re delinquent to the point where we can take your property,’ this becomes the last call to the public to get in here and pay your taxes. That, to me, is lost in the process. Those were my concerns.”

To address those concerns, Toledo Free Press adjusted circulation and agreed to expand home delivery during the two weeks the notices would run.

Last year, Toledo Free Press was the only publication to submit a bid and published the notices at a cost of $168,025. The results demonstrate Toledo Free Press can more than handle the job.

Between 2009-12, the notices were published by The Blade at an average cost of $321,000. In those years, an average of $6.8 million in taxes was recouped each year between January and March following the publication of the notices, according to county records.

The county paid The Blade $339,935 to run the notices in 2009, $287,135 in 2010, $347,272 in 2011 and $309,870 in 2012. Between January and March of the following years, delinquent taxes owed dropped $6.8 million in 2010, $6.4 million in 2011, $6.9 million in 2012 and $7.1 million in 2013.

Source: Lucas County Auditor's Office

Source: Lucas County Auditor’s Office

Last year, Lopez was pressured — she declined to say by whom — to reopen bidding after the bidding period had ended and Toledo Free Press’ bid had been revealed. To her credit, she said no.

“I was definitely asked to reconsider, asked would I object to re-advertizing the bid or allowing this bidding to be reopened last year and I said, ‘No, I think we move forward,’” Lopez told Toledo Free Press earlier this year.

“We had an eligible paper that met the qualifications, that had met the concerns from 2012. And the numbers had already been made public, so whoever would compete against that bid would know how to lowball them. You just can’t do that. That undermines the entire process of a public bid.”

Lopez also noted last year’s numbers showed “good results.”

“The numbers speak for themselves. We are saving money,” Lopez said. “It’s very hard to argue with that.”

Lopez is right — the numbers do speak for themselves.

Awarding this year’s bid to Toledo Free Press would save county taxpayers almost a quarter million dollars while delivering the same, if not better, results.

All local governments are experiencing a financial squeeze and taxpayers expect government entities to spend their money wisely. Lucas County faces overcrowding at an outdated jail that will need to be replaced in the near future and has unplanned expenses from the region’s water advisory this summer. There’s also the city’s recent decision to start charging most offenders under state laws rather than municipal ordinances — a move expected to save the city $4 million to $5 million a year, while costing the county the same amount. It seems fiscally irresponsible for the county to needlessly add to that burden by paying $213,000 more than necessary to publish these legal ads.

We’re pleased Lopez has confidence in our ability to do the job and we believe we’ve earned the chance to run the list again. We trust the county commissioners will accept her recommendation.

Thomas F. Pounds is president and publisher of Toledo Free Press. Contact him at [email protected].

Lucas County Children Services begins its annual gift drive

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Lucas County Children Services (LCCS) believes every child deserves the “best gift ever” this holiday season.

The agency is hosting its eighth annual Holiday Gift Drive, which will provide presents for 2,500 children who are victims of abuse and neglect. Donation boxes have already been placed at various businesses throughout Northwest Ohio for community members to place new, unwrapped toys. Toys will be accepted through Dec. 17.

“We ask people to buy the things their own children and grandchildren would love, because our kids are the same as their kids,” said Julie Malkin, LCCS public information officer.

She noted this year’s campaign, running under the theme “Give the Best Gift Ever,” is expected to serve up to 600 more children than last year because children in foster care will receive gifts this year. Several years ago, foster parents were given a larger stipend to help cover the cost of gifts, but the agency’s financial situation has prevented an increase since then, Malkin said.

People can also make a $5 donation to the drive by texting BESTGIFT to 41911. These funds will go toward gifts to be purchased by co-sponsor Friends of LCCS, a 501(c)(3) organization that supports LCCS.

The agency is in particular need of gifts for children 3 years of age, and younger as well as giftcards for teenagers.

“We love the basic kinds of toys,” Malkin said. “Our kids oftentimes are behind in some of their basic skills. When you have games like Legos, like board games, arts and crafts supplies, those are learning opportunities as well as toys.”

Toys can be dropped off in marked boxes at the LCCS offices, 705 Adams St., or at any of the following businesses: Allshred Services, 3940 Technology Drive, Maumee; Barnes & Noble, 4940 Monroe St. (books only); Brondes Ford, 5545 Secor Road and 1511 S. Reynolds Road, Maumee; The  Town Center at Levis Commons (selected retailers); all Toledo-area Burger King locations; all Toledo-area Family Video locations; all Lucas County Kroger stores; Toledo Auto Care, 4544 Monroe St.; Woodcraft, 5311 Airport Hwy.; and all Yark Automotive locations.

Other community partners are Toledo Free Press, WTOL 11, Bennett Management Corporation and WRVF 101.5 The River.

New children’s hospital exhibit goes ‘Beyond the Frame’

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ProMedica Toledo Children’s Hospital has unveiled a photography exhibit on its walls featuring children who are not defined by their disabilities.

Sponsored by the hospital’s Family Advisory Council, “Beyond the Frame” is a permanent installation in the main lobby of the facility.

Photographer Rick Guidotti speaks with Renee Ruth, one of the subjects of “Beyond the Frame,” a new permanent display at ProMedica Toledo Children’s Hospital. Toledo Free Press photo by Joel Sensenig

The display features 30 photographs of the hospital’s patients, families and staff, highlighting the concepts behind the hospital’s patient and family-centered care philosophy.

The shots were taken by New York City-based photographer Rick Guidotti, a former fashion photographer who now takes photos of children with genetic conditions and special healthcare needs for his company, Positive Exposure.

“I’ve had exhibits in Grand Central Station, the Museum of Natural History in [Washington] D.C., but this where finally, these photographs belong — in a children’s hospital,” Guidotti said at a Nov. 12 reception for the exhibit’s unveiling to the public. “These are kids that have had all kinds of challenges, but they’re kids, first and foremost. It’s overwhelming to see that on the walls.”

Positive Exposure’s mission is to change public perceptions of individuals living with disabilities.

Emily Rippe, ProMedica content specialist, said the exhibit is permanent but noted the photographs may be switched out occasionally, as hundreds of photographs were taken for the project.

Mary Borucki, chairperson of the Family Advisory Council, was instrumental in contacting Guidotti and helping to bring “Beyond the Frame” to Toledo. She and her son Jonah, who has a rare chromosome abnormality called 18q- syndrome, are featured in the exhibit.

Upon receiving word of her son’s diagnosis, Borucki — who has struggled with epilepsy herself — went to Google to the condition and was horrified by what she saw: images of naked, nameless babies with black bars over their faces; they were more identified by numbers than human beings.

“I felt like I had to grieve this child that I just had,” she said. “I knew he had this diagnosis, but I still just knew him as my son Jonah, and I thought he was perfect.”

It was then she found some images Guidotti had taken of other children with disabilities, giving her the hope she was desperately seeking. After seeing him speak at an event, she knew she wanted to bring him to Toledo to help people think about how they treat others, regardless of their genetic conditions or physical appearance.

“I wanted to just have people look at our children as valuable human beings that deserve to have that respect and dignity,” she said.

Each photograph includes a quote from the patient or a family member.

The photo of Mary and Jonah kissing is captioned with Mary’s words: “Despite Jonah’s many challenges, what sets him apart is his unwavering spirit and positive attitude. Together we are an unstoppable force of unconditional love and strength. I am my son’s interpreter of the world. He is counting on me and I will never let him down.”

Renee Ruth, an 18-year-old from Dana, Indiana, is also among the exhibit’s subjects.

“It’s really cool,” she said while gazing up at the close-up photograph of her face. “It’s on my bucket list to do modeling. I really look up to Rick. I like photographing eyes, so that’s why he photographed my eyes.”

Ruth’s piece reads: “I am always smiling and never give up no matter the obstacles. I live each day to the fullest. I am currently in my second year of college.”

Ruth, who has been coming to the hospital for two years, has dysautonomia, mitochondrial disease and Ehlers-Danlos syndrome. She wants to be a counselor for those with chronic, terminal and rare diseases.

For more on “Beyond the Frame,” visit www.promedicahealthconnect.org.

Ohio doctor’s method could reduce breast cancer treatment risks

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A patient’s seemingly simple move from lying on the back to the stomach is having major impacts in the treatment of breast cancer, doctors say.

University of Toledo Medical Center and ProMedica are among treatment centers using prone therapy boards for breast cancer radiation in hopes of reducing the risk of radiation to healthy heart and lung tissue. Photo Courtesy Ohio State University

Dr. Julia White of Ohio State University’s James Cancer Hospital and Solove Research Institute has helped develop a modified treatment board that allows patients to lie comfortably on their stomachs while the breast tissue falls away from the chest wall, allowing the radiation to target the cancer.

Often referred to as a prone therapy board, the method is utilized at the University of Toledo Medical Center as well as ProMedica hospitals.

A representative of Mercy was not able to be reached for comment.

“Most women, when they get that breast radiation, it’s given with the patient lying on their back,” said White, who is director of breast radiation oncology at Ohio State’s Stefanie Spielman Comprehensive Breast Center. “And it’s good — I’m not saying there’s anything wrong with it, but it has some limitations.”

Those limitations include exposing organs in the chest cavity — including the heart and lungs — to radiation fields.

Recent studies show prone radiation treatment cuts the amount of lung and heart tissue affected by radiation by 90 percent. Another side effect of the on-the-back treatment is the cosmetic damage it does to the breast shape, often leaving the breast with a conical shape.

White developed the prone therapy board with Qfix, a world leader in radiotherapy patient positioning and mobilization.

“It’s a board that allows us to treat a patient in a way that there’s a hole for the affected breast,” she said. “The breast falls through the hole in the table. She lies on her unaffected breast and her arms are straight ahead. In doing that, the breast becomes an almost easier radiotherapy target because it’s lying below the chest wall.”

Sharon Nugent, clinical manager of the Hickman Cancer Center at ProMedica Flower Hospital, said the facility has utilized the board for the past three years. It was used initially on larger-busted women but now on an increasing number of patients, regardless of breast size.

Nugent said the women like the board because it’s more comfortable, while physicians prefer it because it offers better positioning and reproducibility in reviewing results.

The prone treatment — which White started working on in 1997 — is most often used on women with stage 1 or early stage 2 breast cancer who have elected to have a lumpectomy and hope to preserve as much of the breast tissue and shape of the breast as possible. Nugent said up to 70 percent of these patients receive therapy in the prone position.

“When we treat a patient prone, we know we don’t have to talk to them about risks to their heart, because their heart won’t be in the field,” White said.

Dr. Julia White looks at images from a patient’s MRI at Ohio State University’s James Cancer Hospital and Solove Research Institute.

“One of the things that happens when we treat a patient on her back is that she breathes, which is obviously good. But it also means we have to take into account chest wall motion with breathing. When a woman lies on her belly, she fixes that chest wall so it allows us to have a very tight margin to place the field right at the rib junction so we can treat all the breast tissue in front of the ribs and exclude that tissue below the ribs into the chest wall cavity where the heart and lungs are.”

“It’s been slower to be adopted than one would think, but … everyone’s been used to doing treatment one way, with women lying on their back. It does take a little more technical savvy, a little more time. Having the new breast boards that are in development now will help enable institutions feeling more comfortable treating patients like this.”

White said it’s important to remember that no one treatment will work for every patient.

“The idea is we give every woman the treatment that’s right for her. For some women, that’s going to be lying on her back. For some women, it could be lying on her belly if the technology is available,” she said. “First and foremost, we want to cure her, but if she elects to keep her breast, we also want to keep her [breast] as intact as possible. If you’re going to go through breast conservation, we want the breast to look as normal as can possibly be afterward, with the minimal amount of long-term effects from the radiotherapy.”