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Former Sen. Sherrod Brown confident about chances in November

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U.S. Senate candidate Sherrod Brown (D-Ohio) speaks to supporters and the press, in Toledo, on June 2, 2026. (TFP photo by Jaden Jefferson)

TOLEDO — After former Ohio U.S. Senator Sherrod Brown lost reelection to a fourth term back in November of 2024, it would be a few months before he re-entered the political scene. But in August of last year, the Democrat announced that he was going to give it another go. 

His 2024 loss, by 3.6 points, was noteworthy in the context of President Donald Trump’s 11-point victory in the state. Brown’s margin of defeat, by Republican Bernie Moreno, is indicative of ticket-splitting, a phenomenon in which voters don’t entirely vote along partisan lines. In this case, many Republican-leaning voters who chose Trump for president also voted for Brown in the U.S. Senate race rather than going with GOP nominee Bernie Moreno.

While 2024 was likely a major disappointment for Brown, it is from that same source that he derives confidence about his chances this time around. Speaking to a group of supporters in Toledo one week ago, the three-time U.S. senator pointed to his overperformance that year as a sign that, in 2026, things will be different, particularly as a result of the president’s unpopularity in his second term.

What could also be different for Brown this year is the strength of his Republican opponent. While then-candidate Moreno lacked statewide name recognition and faced negative publicity over lawsuits filed against him from his time as a car salesman, Husted’s fortunes, thus far, have been a bit kinder.

While his name recognition doesn’t quite match Brown’s, despite years in the role of lieutenant governor and other statewide elected offices, Husted hasn’t seen as much negative publicity — though the Brown campaign and Ohio Democrats have criticized him for comments he made about those experiencing poverty, namely that “they’re not very experienced at navigating the real world.”

Cleveland’s WJW reported that Husted, in an interview, “explained that he was relaying a conversation he had with a woman who spent nearly three decades on food stamps.”

As the Brown campaign seeks to characterize this race as being between a candidate who knows the struggles of working people and an incumbent who’s out of touch, Husted’s campaign aims to characterize Brown as a Washington insider who overstayed his welcome and Husted as the face of something fresh.

Regardless of the candidate whose story voters find most convincing, that person won’t serve a full term after being elected in November. Husted, who currently occupies the senate seat Brown is seeking, was appointed to it by Gov. Mike DeWine, following then-Senator JD Vance’s ascension to the vice presidency. This is a special election that will determine who finishes out the last two years of Vance’s term. The seat will be up for grabs again in 2028, an election that will decide who gets to serve out a full, six-year term. That could, again, be a contest between Brown and Husted, or different candidates.

Returning to Brown’s Tuesday remarks, he also expressed confidence in the Democratic candidate for governor, Dr. Amy Acton, who polling has shown to be in a tight race against Republican Vivek Ramaswamy.


With regard to his own race, he spoke of wanting “to get this country back on track,” but “not to go back exactly to what we were.” On the same day of his event in Toledo, Brown’s campaign debuted a new ad in which he calls for a ban on stock trading by members of Congress and their spouses. During his senate career, Brown has been a part of bipartisan efforts to ban congressional stock trading, including in 2023, though without success. Despite a lack of success in the past, Brown told the Toledo Free Press that he’s “seen the number of votes [in support of a ban] grow” each time the issue has come up.

Waterville buys bridge for $1.00

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This AI-generated rendering from ODOT shows what the bridge may look like after the spandrel walls and dirt are removed. (Courtesy rendering)

WATERVILLE – In a unanimous vote, Waterville City Council approved the purchase of the 118-year-old Roche de Boeuf Interurban Bridge on June 8.

“Heroes, all of you,” said Save the Bridge Association member Janice Braida, leading a round of applause from the audience.

The city will pay the state $1.00 to purchase of the bridge once it is stabilized – and therefore insurable. Kokosing won the Ohio Department of Transportation (ODOT) contract to remove the bridge at a cost of $3.1 million, but after working with STBA, the city and Gov. Mike DeWine, ODOT asked Kokosing for a change order on the project. That new scope includes a partial demolition –removing the spandrel walls, fill dirt and the chunks of concrete in the river. That estimate came in around $4.2 million. Federal funds for the state to have the work done will cover up to $4.4 million. 

Those who were involved in saving the bridge gathered after the meeting, including (from left) John Wasserman, Bill Vermes, John Rozic, Dave Weber, Dave Myerholtz, Barb Bruno, Rex Childers, John Pautz II, Janice Braida and Frank Butwin. (AWFP photo by Karen Gerhardinger)

Most of the cost is in installing a causeway and hauling out debris, said Municipal Administrator Jon Gochenour. If the bridge doesn’t collapse and is stable after the process, the city will take ownership and move on to the next step – working with STBA to raise funds to install a pedestrian and bike path on top of the remaining structure.

“We still have to work out the details of the transfer and purchase agreement,” Gochenour said of the sale.

ODOT District 2 Deputy Director Pat McColley said that, while he hasn’t seen the proposed changes to the agreement, he is encouraged by the progress made.

“We understand the city’s sentiment for this historic structure and their passion to continue looking for solutions” he said. “In the last couple months, there has been renewed energy and productive conversations with the mayor and his team. The option that we are talking about today was not an option anyone explored prior to the last 60 days.”

Waterville City Council unanimously approved the purchase of the 1908 Roche de Boeuf Interurban Bridge for $1.00 from the state. Work on removing the spandrel walls and fill dirt, as well as fallen concrete submerged in the river, will begin in July. (AWFP photo by Karen Gerhardinger)

Civil engineer Bill Vermes, who is experienced in saving historic bridges, and retired concrete contractor John Pautz II stepped in to help STBA come up with a plan. During the June 8 meeting, Vermes answered multiple questions from council members as to the condition of the bridge and potential life span of the piers and arches that would remain.

Council members Rod Frey, Scott Jahns and Wayne Wagner admitted that they all struggled with the idea of taking responsibility of the bridge, but credited what council member Nick Sargent called “the dream team” for addressing their concerns.

“As a body here, we didn’t take this lightly for our citizens. This was a tough decision,” said Jahns, who was one of several council members to tour the bridge a few weeks ago. 

Wagner said he, too, was concerned about liability and funds, but in the end, the opportunity to see if the bridge can be saved – as the majority of citizens he spoke with want to happen – outweighed some of those risks.

Former mayor David Myerholtz was among the citizens to address council, and he noted that the bridge offers an opportunity to create a unique destination.

“When opportunity knocks, open the door,” Myerholtz advised council.

“Tonight is the starting point,” said Mayor Tim Pedro, referring to plans for a pedestrian and bike bridge across the exposed arches.

STBA member Rex Childers said many potential partners are waiting in the wings to take part on that project once the bridge is stable. Gochenour pointed out that it will not be a “bridge to nowhere” as the path would connect Lucas County and Farnsworth Metropark to the Slippery Elm Trail that runs along S.R. 65. The bridge purchase will include land in Wood County with access to S.R. 65.

Work on the selective demolition on the bridge is expected to start next month and wrap up in July 2027. After that, work will begin on the Roche de Boeuf Overlook and Shared Use Path Improvement Project, in which two of the existing bridge abutments – on the north and south sides of South River Road – will be used to create an overlook of the Maumee River and the Roche de Boeuf Island. The city received a $557,652 grant to cover 80 percent of the project. That will tie into efforts to raise funds to complete the pedestrian and bike bridge, Gochenour said.

During the meeting, council also:

-Listened to Jennifer Atkinson-Minni ask the city to consider lowering the speed limit on Waterville-Monclova Road between Dutch Road and Michigan Avenue. Her son was struck by a vehicle in front of the fire station, where it decreases from 45 mph to 35 mph, in May 2025, as he entered the crosswalk in front of the fire station. Atkinson-Minni believes speed was a factor.  She shared aerial photos of the area over the past 7-13 years, showing the increase in the number of homes and businesses. Pedro asked staff to take a look at her request.

-Heard Waterville Area Chamber of Commerce Director Michelle Smith ask for $9,000 to help fund this year’s Roche de Boeuf Festival, which was moved to Saturday, Sept. 19 in order to not interfere with Anthony Wayne High School’s homecoming. Other upcoming events include a Tuesday, June 16 presentation at 11:30 a.m. at Browning Masonic Community by Gochenour, who will share details on what’s happening in the city. A golf outing is slated for Friday, July 17 at Stone Ridge. 

-Heard Lisa Haberstock thank those involved in adding more public art to the city, including the recent mural by Dean Davis on Mechanic Street. Jahns asked whether the city would consider lighting the mural up at night.

-Heard Terri Massucci share that 3-D printed keychains with the AW General will be hidden around the district during Family Week, which is June 28-July 5.

-Listened to Gochenour explain that the switchover for trash providers from Republic to ARS is complete, with new carts delivered and old ones picked up. He is working with ARS on a proposal to provide yard waste pickup as well.

-Heard Jahns ask about options for maintaining the roundabouts on Dutch Road – even though they are both in the township – in order to keep them weed-free.

-Approved a 15 mph speed limit on shared use paths in order to discourage reckless behavior by e-bike riders around pedestrians and joggers.

-Heard that Browning will host a celebration – open to the public – on Friday, June 26 with activities and fireworks.

-Held a first reading on the rezoning of 3.9 acres at 7551 Dutch Rd. from Planned Business Park to M-1, which reflects the current use by Duvall Woodworking. A third and final reading is set for Monday, July 27.

Wild Side: Birds who raise multiple families

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An American robin feeding her babies. (Photo by Metroparks Toledo nature photographer Art Weber)

Some of our local birds don’t stop at just one nesting in a season. 

In fact, it’s surprising how many of our favorite birds raise two – or even three – broods every year. Our breeding season is long enough and our natural areas produce enough food to enable some birds – songbirds mostly – to raise multiple families in a single season.  

Count our state bird among them. American robins often raise two broods in one summer. The broods can overlap with the female laying a second or possibly even a third clutch of eggs while the male is scurrying for food to feed older chicks. These common birds are always welcome in our urban and suburban yards. 

The champion multi-brooders are arguably our mourning doves. This sturdy, brownish fast-flyer is prolific, favoring a return every year to a certain nesting place. That place might be a ledge, a tree, or even a planter. If they’re around, you’ll hear their long mournful cooing call. It’s claimed that a nesting pair in Ohio once raised an amazing six clutches in a single season. Two to three is more likely. 

Among the other species known to sometimes raise more than one brood are our Northern cardinals, wrens, and bluebirds. 

Waterville Council to vote on saving bridge

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A view of the Roche de Boeuf Interurban Bridge from the Wood County side. Save the Bridge Association is proposing the removal of the spandrel walls and dirt fill to leave the piers and arches intact. (AWFP photo by Karen Gerhardinger)

WATERVILLE – For over a year, the Save the Bridge Association (STBA) has been nudging Waterville toward taking ownership of the 118-year-old Roche de Boeuf Interurban Bridge. Tonight, June 8, a decision will be made.

“We have ODOT real estate/bridge on the agenda for discussion, including a vote,” Mayor Tim Pedro confirmed.

A few weeks ago, Pedro and a few council members made the trek to the top of the bridge – from the Wood County side – to see firsthand the condition of the bridge and to hear more about STBA’s proposal to remove the spandrels and dirt in order to stabilize the structure. 

Save the Bridge Association representative Rex Childers points out a section of concrete that was tested by civil engineer and bridge inspector Bill Vermes. (AWFP photo by Karen Gerhardinger)

The arches and piers – which are embedded into three feet of bedrock – are structurally sound, explained STBA member Rex Childers, referring to tests done by Bill Vermes, a civil engineer and bridge inspector who has saved other historic bridges.

The bridge by Daniel Luten and his National Bridge Company uses his patented Luten Arch, which adds strength to the piers and arches. This was used in Luten bridges across the country.

Over the past few months, STBA members have met with Gov. Mike DeWine, Ohio Department of Transportation and city representatives to share new information that Vermes presented.

“The first thing we had to do was deal with misinformation with the bridge’s shape and condition,” Childers said. “We had to prove that it can stand. We’ve done that. The arches are strong, and the piers are almost indestructible.”

This AI rendering by the Save the Bridge Association shows what the bridge might look like without its spandrel walls. (Courtesy rendering)

What can be seen falling off is the spandrel walls on the side, which have been compromised from the freezing and thawing of dirt inside. The STBA’s plan is to remove that dirt and the spandrel walls to expose the piers and arches, which can stand on their own. Sharing an AI rendering of what the bridge will look like without the spandrels, Childers notes that, in such a state, the bridge could stand on its own for another 60 years with minimum maintenance.

“It’s really going to be beautiful. Imagine a Roman aqueduct stripped down to the arches,” he said.

STBA’s ultimate goal is to use that stripped down bridge as a base on which to install a 10-foot-wide pedestrian and bike path – a project that would require raising over $6 million from grants and donations. But stabilizing the bridge and preventing it from being demolished is the first step, Childers said.

Members of the Save the Bridge Association, including Rex Childers and Janice and Tony Braida, check out the underside of the Roche de Boeuf Interurban Bridge on the Wood County side. (AWFP photo by Karen Gerhardinger)

ODOT awarded a $3.2 million contract to Kokosing to demolish the bridge, but had Kokosing rebid the project with a different scope: to strip the bridge of spandrels and dirt, and to take out the fallen chunks submerged in the river. By law, any nonprofit or governmental entity willing to assume ownership and liability for the bridge could be reimbursed with the estimated $4 million set aside by the state for demolition. Kokosing’s bid to work on saving the bridge was $4.05 million, Childers said.

“ODOT is offering us the option of keeping the bridge. If during the process it turns out it cannot be kept, they will continue with the process to demo it – at no cost to us,” Childers said. “The trick is, Waterville has to be the owner first.”

A view from atop the Roche de Boeuf Interurban Bridge, looking toward Waterville. (AWFP photo by Karen Gerhardinger)

Pedro said council has been reviewing documents and have asked a lot of questions, but will likely ask more questions during the Waterville City Council meeting, which begins at 7:30 p.m. Residents will also have an opportunity to speak about the bridge. Council is slated to go into an executive session to discuss the purchase of the bridge, but will vote in open session, he added. 

“My hope is the next day I wake up and say there’s hope for the bridge…and then we can begin talking about what we can do,” Childers said.

Shooting disrupts Old West End Festival: Band gives their account

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Toledo Police Department car with lights on at the at the intersection of Delaware and Robinwood Avenues after a shooting at the Agnes Reynolds Jackson Arboretum in the Old West End in Toledo on Saturday, June 6, 2026. (TFP photo by Stephen Zenner)

TOLEDO – Shoes, drinks and a baby stroller were left behind after a mad dash out of the Old West End’s Agnes Reynolds Jackson Arboretum, where gunshots were heard in the late afternoon on Saturday.

In the heart of the Old West End Festival (OWEF), halfway into the set of the local band Goalpost, a stampede of people fled the loud shots, and police responded around 5:37 p.m., according to Toledo Deputy Police Chief Joseph Heffernan

A baby stroller left after the shooting at the Agnes Reynolds Jackson Arboretum. (TFP photo by Stephen Zenner)

12 individuals were struck by bullets, with two in critical condition as of the night of the shooting. The age range of the victims was estimated between 14 and 61 according to police Lieutenant Dan Gerken. Toledo Fire & Rescue and Police were quickly on the scene where police believe two individuals traded gunfire across the busy center of the Old West End Festival.

Goalpost’s perspective

“I saw a big wave of people running by,” said Matt Cashin, lead singer for Goalpost, who couldn’t hear what was going on over their band’s music. Unfortunately, it would not be long before the band saw for themselves what was happening. 

“I ducked down, and then everybody was running,” said the band’s drummer, Daniel Price. “I looked over, and a girl fell down, like right here,” he pointed to a spot a little bit from where his drums were set up. 

“She must have got shot like, what? Two feet away?” he estimated. 

Price thought quickly when the woman was struck and, equipped with a box of spare band t-shirts, tried to apply a tourniquet to the wound on her leg. 

Matthew Cashin, lead singer of the band Goalpost, packs up musical gear after a shooting at the Agnes Reynolds Jackson Arboretum in the Old West End. Goalpost was halfway through their set when the shooting happened. (TFP photo by Stephen Zenner)

Meanwhile, Cashin experienced something similar on the other side of the gazebo, where his sister was “grazed” by a bullet. And another friend, Seth Frontine, sustained a bullet through the foot. 

Price reported Frontine in good spirits, despite the injury, and that Frontine had even tried to fist bump Price in solidarity after being shot.

From playing a musical set to experiencing gun violence, Price was not sure how to process what had happened.

Daniel Price, the drummer for the band Goalpost, tears down his gear after the shooting. The band was in the middle of a set when the shooting started, and had to wait until police were done with the crime scene to collect their gear. (TFP photo by Stephen Zenner)

Later, Price learned his sister-in-law was shot. 

“This sucks. Worst Fest of all-time. Zero out of ten,” Price lamented, trying to lighten the mood a bit with a half-joking, half-sincere tone. 

Goalpost’s full audio setup and the band’s instruments were all abandoned when the shooting started. Fearing thieves in the night, the audio engineers and the band came back to pick up the equipment around 9:45 p.m. after the police conducted their search and forensics in the area. 

Band members tore down their routine setup to the backdrop of items strewn across the Arboretum. 

Bloody bandages, medical tourniquets and saline solution syringes were left behind along with a pool of blood, marked with number five, in the beer garden, where officers said one woman was found. 

Together the band talked over what had happened, and kept an upbeat demeanor as they moved their items away from their unfinished set. Three of the four band members said they lived in the neighborhood.

A pool of blood left after the shooting. Police officers at the arboretum said a woman was helped from this location in the Beer Garden. (TFP photo by Stephen Zenner)

Ongoing investigation

“It’s really early in the investigation,” Gerken said, and assured the public that the police were talking with victims, witnesses and reviewing camera footage.

Multiple city officials, including District 1 Toledo City Councilman John Hobbs III, asked the public to assist the police in apprehending the suspects in any way possible. 

Even so, Heffernan said, “There is a lot of evidence; it’s just a matter of going through a lot of that evidence.”

Trying to get a handle on the image of Toledo Hobbs pushed back against the darkness of the day.

“What happened today is not a reflection of what our city is and what we stand for,” Hobbs said. 

A cigarette, tourniquet and some bloody bandages found on the ground after the shooting. (TFP photo by Stephen Zenner)

Canceled festival

Sunday events of the festival are canceled due to the shooting. 

The public relations chair for the Old West End Association, Dan Finkel, made the announcement to the Toledo Free Press around 10:30 p.m. on Saturday, and sent this message:

“Too often we turn on the news and learn of a celebration somewhere that turns into a tragedy. Now, that news comes from our own neighborhood. We are heartbroken about those that were injured at the Old West End Festival. Many people want to know how we proceed from such a dark place. 

“After discussion with festival organizers, law enforcement and the City of Toledo, we feel that it would not be compassionate, responsible or possible to continue festival; therefore, all festival events for Sunday, June 7 are cancelled.”

People cross Delaware Ave. by a Toledo Police Department car with lights on at the at the intersection of Delaware Avenue and Robinwood Avenue post shooting. (TFP photo by Stephen Zenner)
Toledo Police officers stand in the gazebo with Old West End Festival sound engineers at the Agnes Reynolds Jackson Arboretum. (TFP photo by Stephen Zenner)
Matthew Cashin, lead singer of the band Goalpost, packs up musical gear after the shooting at the arboretum. (TFP photo by Stephen Zenner)
A full set of music gear and this shoe were left in the chaos after the shooting. (TFP photo by Stephen Zenner)
The band Goalpost retrieves their gear along with festival sound engineers after the shooting. The band and engineers had to wait until the first responders did their work before they could retrieve their things around 9:45 to 10 p.m. (TFP photo by Stephen Zenner)
People cross Delaware Avenue by a Toledo Police Department car with flashing lights at the intersection of Delaware Avenue and Robinwood Avenue near where the shooting occurred on Saturday night. (TFP photo by Stephen Zenner)
Matthew Cashin, lead singer of the band Goalpost, packs up musical gear after a shooting at the Agnes Reynolds Jackson Arboretum in the Old West End. Goalpost was halfway through their set when the shooting happened. (TFP photo by Stephen Zenner)
Emergency medical supplies dotted the Agnes Reynolds Jackson Arboretum after the shooting. (TFP photo by Stephen Zenner)
Toledo Police Department car with lights at the intersection of Delaware and Robinwood Avenues after the shooting. (TFP photo by Stephen Zenner)

Toledo native brings Arab American story home in debut of Carryout

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Carryout is Hasan Dudar’s debut book. (TFP photo by Allyson Ritchey)

PERRYSBURG – The bell above the door of a Toledo carryout rings out dozens of times a day. Factory workers on break, neighbors stopping for scratch-offs, traveling salesmen with a pitch…anyone might walk in. For Hasan Dudar, who grew up behind the counter of one, that doorway became the entrance to his debut book.

Published on May 5 by the University of Iowa Press, Carryout is a linked collection of 15 short stories following the Idilbis, a family of Palestinian and Lebanese refugees who open a corner store across from a General Motors plant in Toledo. It’s a space where the city’s Arab community and its working class share the same narrow aisles. Spanning from the late 1970s into the mid-2010s, the book tracks three generations through financial precarity, post-9/11 suspicion and the quiet heartbreaks of navigating two worlds. 

Dudar speaks about his book at Gathering Volumes. (TFP photo by Allyson Ritchey)

Dudar, who now lives in Washington, D.C., returned to northwest Ohio on May 17 for a reading at Gathering Volumes in Perrysburg. A packed room of former teachers, childhood friends, and community members gathered to hear him read from the collection for the first time in his hometown.

“We had a carryout in Toledo,” Dudar told the crowd. “It was a source of a lot of stress for my family, always trying to make the place work. But as a kid, it was also home.”

The store anchors the collection, serving as the place where neighbors linger for hours over lottery numbers, where a traveling salesman arrives in different cars and where the rhythms of the neighborhood play out shift by shift, day by day. Dudar read excerpts highlighting the everyday absurdity of the carryout counter. He started with “Love Rose,” introducing Ra’ed, a traveling salesman who shows up–once in a hearse–trying to peddle flowers to a skeptical store owner. When he moved to “The Super Lotto,” detailing a mysterious family friend who unplugs the lottery machine mid-transaction just to escape an indecisive customer, it drew knowing laughs from the crowd.

But that humor sits inside something heavier. These characters left everything behind to build something new, never quite sure if the foundation would hold.

An attendee takes a glimpse at Carryout’s table of contents of 15 linked short stories. (TFP photo by Allyson Ritchey)

Before turning to fiction, Dudar spent most of his career in journalism –reporting for the Toledo Blade, USA Today, and Detroit Free Press. He also co-produced the 2015 documentary The Last of Little Syria, about Toledo’s historic Arab enclave. He sees a strong throughline between reporting and fiction writing, noting that both demand a focus on the subject rather than the author.

“Journalism forces you… It’s not about you,” he said. “The character kind of decides, and you have to take a back seat.” He added that reporting got him out of his own world in ways that directly fed the book, noting that in both fields, “you can’t really insert yourself.” 

Carryout took roughly 12 years to piece together. Dudar wrote in stolen moments, typing on his phone’s notes app, waking up early and drafting between reporting assignments. He didn’t write chronologically; stories emerged months or even years apart. It was only when he assembled them into a single document that the overarching narrative took shape.

“When I started putting them into a manuscript and it starts adding up, it kind of started to feel a bit novel-like,” he said.

Gathering Volumes is a locally owned, independent bookstore in Perrysburg. (TFP photo by Allyson Ritchey)

A full-length novel might be his next project, but Dudar admits he’s pacing himself after the long process of finishing his debut. Ultimately, two major life events pushed him across the finish line.

The first was becoming a father. “No time is promised,” he said. “That pushed me big time.”

The second was the loss of his mother in 2023. While she knew he was working on a book, she passed away just months before his first story from the collection was published in the Gulf Coast journal. She never got to see it in print.

The Toledo in Carryout is specific, complete with references to Hinkle’s Donuts, Alexis Road and the shadow of the GM plant. Dudar said he kept the real place names because they carried weight he didn’t want to lose.

“Those names are emotionally loaded for me,” he said. “I needed them to feel my way on the page.”

As for what he wants his hometown readers to glean from the collection, Dudar prefers to leave that up to them.

“Whatever they bring to it on the page, whatever they take away from it – that’s theirs,” he said. “I can’t say I have any takeaways for them.”

Carryout is available through the University of Iowa Press and independent booksellers, like Gathering Volumes locally, for $19.95.

“You own it, you owe it” has to change

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Pexels photo by Ka Boom Pics.

The political storm in Ohio about reducing – or even abolishing – property taxes is not going to subside. Why would it? It is a real response to a real and growing problem. Property taxes are not just unpopular; they are politically corrosive. 

Property taxes erode trust in our civic institutions, but they also damage something deeper: the idea  that hard work leads to stability. The prospect of long-term homeownership. The belief that if you play by the rules, pay your mortgage, and stay in your home, the system will leave you alone. Property taxes punish the American Dream. They do not ask whether a family’s income went up. They do not ask whether a widow on a fixed income suddenly has more cash in her checking account. They do not ask whether an Ohio farmer, retiree, young family, or small business owner actually used more government services this year than last. 

So the abolition crowd has some strong points. But let’s also be candid about a property-tax-free state. Cue the broken record: we can’t wave a wand, end property tax, and leave every township, school district, county, fire department, and sheriff’s office whole. That is not sound policy. That’s a bumper sticker. Still, defending a corrosive system simply because “it’s the way things have always been done” isn’t serious either. Ohioans demand relief. And the state needs a replacement strategy. 

Think of it this way: our tax system right now is like an investor who put everything into one stock and now refuses to rebalance the portfolio, even as the risk becomes obvious. That’s not strategy. That’s denial. A smarter system would reduce exposure to property-based revenue, provide relief to  homeowners, leverage existing income and sales tax without increase, and expand use-based funding. 

Not a magic wand. Not a silver bullet. Not one giant tax swap – and certainly not a massive income tax hike or 20 percent sales tax that hammers families at the self-check-out. Ohio needs diversification, and we need a complete system reset in how we think about taxation overall.  

Right now the State’s taxation model is simple, and flawed.  

It goes like this: you own something; therefore you owe

I propose that a modern system should look like this: you use the system; therefore you contribute. This is fairer, and far more transparent. It aligns with the way the real economy works.  

A modern tax structure should shift the burden away from passive ownership and towards actual  activity: transactions, filings, licenses, registrations, commercial use, high-volume institutional users,  and those who utilize public systems to move money, enforce contracts, transfer property, finance  vehicles, record liens, and access official records. 

In plain English: we need to stop putting hardship on homeowners just because their names are on a  deed. We can give homeowners relief by funding systems through those who actually use the  machinery of government. This is not about growing government revenue – it is about shifting the  burden off of homeowners and onto high-volume users of the system. 

And here is the part that state policymakers are missing: Ohio already has the infrastructure to do this. And it sits in every county Clerk of Courts office.  

As Ottawa County’s Clerk of Courts, I see it every day. Our office processes the quiet machinery of  commerce: titles, cases, liens, judgments, garnishments, foreclosures, certifications, and the records that make private transactions enforceable and legally real. This is not hypothetical – it is constant, high-volume activity. It is commerce moving through public channels. That system has value and should be priced accordingly.  

Title offices are the clearest example. Ohio already charges title-related fees by statute. Many counties list title fees, duplicate title fees, lien notations fees, salvage title fees, title search fees, and late filing fees in their public fee schedules. But those schedules were built for another time. They do not reflect the scale, speed or level of commercial utilization we see today.  

A smarter, bolder approach is called for. If Ohio policymakers are serious about property tax relief, they need to look where the activity is. The skeleton is already there. Legislators should add muscle to it. 

A serious property tax-relief package should include a dedicated, locally-retained title transaction  surcharge. Not punitive. Not hidden. A modest, transparent surcharge of $5, $10, or $15 on high volume title transactions, dedicated to local property-tax relief or essential local services.  

Then go further. 

Create a higher tier fee for high-volume institutional users of the public systems. Public infrastructure supports private activity. Banks rely on enforceable liens. Dealers rely on clean title transfers.  Finance companies rely on accurate records. Out-of-state creditors rely on Ohio’s court system to collect debts. These institutional users need to help sustain the system they rely on, and Ohio should shift the burden from passive ownership to active system usage. 

This approach ensures balance, maintaining affordability for everyday transactions while aligning costs with volume, complexity and demand. 

Ohio should also modernize lien fees. Notation, release, e-liens, bulk lender submissions, correction  filings, expedited service – these are natural fee-for-service revenue points tied directly to activity.  

The same logic applies to out-of-state title conversions. When a vehicle enters Ohio’s system, a modest intake or conversion fee – especially for higher risk titles – is reasonable. Title washing and title fraud are not imaginary problems. If a transaction requires more scrutiny, it should carry more of  the administrative cost. 

The same logic tracks with expedited services. Government should not nickel-and-dime people for  ordinary service. Standard service stays affordable. Premium speed pays for itself. Optional pricing  based on demand is how the private sector works. Government can learn the lesson. 

The courts offer another path. Foreclosures. Garnishments. Judgment liens. Collections. These are not one-off citizen interactions. They involve banks, institutional creditors, commercial litigants, and other frequent fliers of the legal system. They represent repeat, high-volume use of public infrastructure. 

If courts are used to enforce private financial claims, they draw on taxpayer-funded resources – and  that should be priced accordingly.  

Scaled filing fees. Targeted surcharges on foreclosure and collection actions. Higher-tiers for high volume users. Not to hinder commerce, but to allocate costs more effectively. 

A one-time filer should not be treated the same as a high-volume institutional filer. Fee structures  should reflect that reality through targeted, transparent surcharges tied to use.

Ohio should examine vehicle registrations. Existing permissive license fees already provide a  foundation. A modern approach could expand locally retained, usage-based registration fees: modest  for passenger vehicles, higher for fleets and high-impact users.  

Greater use, greater contribution.  

That is not radical.  

That is arithmetic. 

Consider the data economy. Yes, public records are public, but bulk commercial data extraction is  different. If a company is mining public record at scale as a business model, a user fee can help fund  maintenance, security, and modernization – without limiting individual access.  

Now, critics will say: “Fees are regressive.” Sometimes they are. That is why structure matters. A  serious framework should protect ordinary citizens and focus on institutional, high-volume, expedited, complex, or noncompliant activity. Keep ordinary access affordable. Charge more for speed, scale and intensity of use. That’s the difference between indiscriminate fees and a coherent system.  

Others will argue that fees alone cannot replace the $24 billion the State currently brings on from  property taxes. They’re right – and missing the point.  

The goal is not a magical replacement. The goal is to stop overreliance on a broken system. Fees are  the missing piece. They capture non-residents. They scale with activity. They reflect actual use. And  they can be phased in without economic shock. 

The political class loves to talk about reform until reform requires choosing who pays. Well, I say that is the job.  

If the choice is between a retiree being taxed out of her home, or a commercial lender paying more to  enforce a lien, I know where I stand. If the choice is between a family absorbing another valuation  spike, or an out-of-state financial institution paying a surcharge to use Ohio’s courts and records  system, I know where I stand. If the choice is between homeowners carrying the burden, or bulk data  companies paying for profitable access to public systems, I know where I stand.  

The homeowner has endured enough hardship. 

Christopher Enoch 
Ottawa County Clerk of Courts

Haskins native releases immersive audiobook

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Matt Palka is an Otsego graduate, singer, songwriter, author and award-winning filmmaker. (Courtesy photo)

HASKINS – As America prepares to celebrate its 250th anniversary, Haskins, Ohio native Matt Palka – an author, singer, songwriter and award-winning filmmaker – is releasing his ode to America.

Moment in the Sun is an immersive audiobook that captures a life-changing cross-country solo bike ride that brought him closer to the soul of America. During that 2,361 mile trek from Haskins to Lake Tahoe, Palka faced challenges he never thought he would overcome, stripping himself of his ego while meeting ordinary Americans. 

“I was a brazen young man who wanted to feel alive – to test himself and be out there, trying to be in touch with my maker,” he said.

Growing up, Palka was the captain of the soccer team at Otsego High School, where he also performed in musicals. So when he headed to Ohio University, he decided to major in theater, but he also picked up his dad’s guitar and began singing and songwriting. Palka fell in love with The Beatles, Bob Dylan, Tom Petty and Van Morrison, whose stream-of-consciousness Astral Weeks expanded his world.

As he was set to graduate from OU in 1999, Palka was dealt a blow: his plans to get an acting internship in Minneapolis evaporated. During a party, a friend suggested he visit her and her boyfriend in Lake Tahoe. He didn’t even know that was in California. When Palka said his car wouldn’t make it, she said, “Ride your bike.”

His parents suggested that he take over their Grand Rapids fudge shop. Instead, Palka paid $100 for a 40-pound steel bike, and spent a few weeks biking from Haskins to Grand Rapids and running five miles a day.

“I was not in shape for the trip. And my bike was so heavy I couldn’t lift it up,” he said, noting that his bike was 150 pounds with gear, including pots, pans, cans of beans and a guitar so he could busk for funds when his $600 ran out. His goal was to refill his water jug in each town.

“I thought I’d make it through Indiana that first day. I only made it to Kalida, pushing my bike into town with heat exhaustion,” he said. 

As he was headed into a restaurant/truck stop in Kalida, Palka met a cyclist who was headed to Boston from San Francisco.

“He bought me a Gatorade and told me his story. That gave me enough encouragement that I knew I could make it,” Palka said.

He laughs about the many other cyclists he met along the way, who rode lighter bikes and headed east to take advantage of the tailwinds. 

“Someone told me I had the most loaded bike he’d ever seen. I was going 11 mph into the wind,” Palka said.

Some days he rode 40 miles, other days 80 to 100, stopping along the way in towns to listen to stories from local residents or others who were passing through.

Plenty of times he thought he wouldn’t make it, like when he was riding on the highest roadway in America – 20 miles of 7,500- to 12,000-foot elevation in Rocky Mountain National Park. Along that route, a 40 mph wind could knock a cyclist off a sheer dropoff on either side of the road. He had motorists throw glass bottles at him; spent an evening with witches; faced off with a bull in Nevada; and played chicken with a car on an empty highway in the desert. 

In his 2012 book, Moment in the Sun, Palka shared his experiences on the road through the character Riley Holiday – who is also the protagonist in upcoming books.

This audiobook version of Moment in the Sun is fully immersive, using Dolby Atmos – technology that adds dimension to sound, creating a 3D soundscape rather than just surround sound.

Moment in the Sun is a new audiobook and album by Haskins native Matt Palka. (Courtesy photo)

“In the 11 hours of this audiobook, you’re on the handlebars. You can hear the gears shifting, the wind blowing, the cars blowing by. You can put my headphones on and hear the music and, at night, you can almost hear the stars shooting by as you look at the Milky Way,” Palka said. “Think of it as a Netflix series without the picture. You can imagine being in Ohio in July with the locusts, the tree frogs and the hooting of owls.”

Dean Hovey, an award-winning supervising sound editor, mixer, designer and composer, went to great lengths for accurate sounds, even taking that original steel bike to an abandoned airfield to record the actual bicycle used on the trip. The audiobook soundtrack features 39 songs that Palka wrote and recorded using real musicians, sometimes incorporating full string and horn arrangements. No AI was used in any portion of the project. 

“Think of this as an Netflix series or 11-hour movie without the picture. In talks with Dolby Atmos, they believe this is the first first-person narrative where it’s fully immersive,” said Palka. 

“It’s a transformative world. Maybe you’re not brave enough to go out there. Maybe you’re not physically capable. This gets people as close as they can get to being on the bike and sharing my powerful journey and experience.”

The Moment in the Sun audiobook releases on June 25, but Palka also has an album with 11 original songs coming out June 19. Palka discusses the audiobook and music further on Americana Bohemia, a podcast that explores the adventurous and creative spirit thriving in America’s most unexpected places. Listen to it here.

Next up for Palka is book two of his Life of Riley Holiday series, based on the time he spent as a clubhouse manager taking care of 30 professional athletes in the Toledo Mud Hens.

“It’s a fish out of water story – a hippie musician trying to find his voice among the modern gladiator world,” he said of the 40-song soundtrack

He is working on book three, based on a VW bus tour throughout America, stopping in college towns, doing background acting work for TV and commercials in LA, making his own films and creating soundtracks for himself and other artists.

And it all started with that decision to get on his bike and ride.

“I was so lucky to take a chance. Whatever you want to do, you can do it,” he said.

For more information, visit mattpalka.com.

‘Wedding Singer’ musical: ’80s nostalgia at Village Players Theatre

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The wedding band, featuring Seth Aaron Johnson, Brian Matson, and Jacob Smith, pose with the cast during a group number. (Courtesy photo by Nicole Tuttle-Robb)

TOLEDO – As far as Brian Matson was concerned, he hit the theatrical jackpot when he found out he had earned the role of Robbie in the musical version of The Wedding Singer, the 1998 rom-com movie starring Adam Sandler and Drew Barrymore.

“I was extremely excited,” said Matson, 26. “I thought I had a shot, but I definitely wasn’t sure. People at the auditions were talented, and I was just happy to get invited to the production, no matter what the role was. I was excited to work with this production team and the theater company.”

The cast performs the opening number, “It’s Your Wedding Day.” (Courtesy photo by Nicole Tuttle-Robb)

The movie, set in 1985, follows Robbie Hart, New Jersey’s favorite wedding singer and a rock-star wannabe. Life is good until he’s left at the alter by his fiancee. Heartbroken, Robbie spirals, turning every wedding gig into a hilarious disaster.

Enter Julia, who works as a waitress where Robbie performs. She begins to restore his faith in love, but there’s one problem: she’s engaged to a slick Wall Street shark. Now, Robbie must pull off the performance of a lifetime to win the girl of his dreams before it’s too late.

The Wedding Singer: The Musical Comedy will be performed June 12-21 at The Village Players Theatre located at 2740 Upton Ave. in Toledo. Shows will be held Thursdays, Fridays and Saturdays at 7 p.m. and Sunday at 2 p.m.

The production promises to bring “big hair, bigger laughs and non-stop 1980s nostalgia to the stage.”

Wedding Singer musical was performed on Broadway, for 284 performances and 30 previews, from late April through Dec. 31 2006.

Riley Runnells is the choreographer for The Wedding Singer: The Musical Comedy. The Sylvania Northview and 2022 Ohio University graduate started acting at age 4 and got her first gig as a choreographer in 2024 for the musical Seussical, based on the Dr. Seuss books.

I’ve always loved theater and dance,” Runnells said. “I was on the dance team at Ohio University, and when I came back here, I had a friend who asked if if wanted to choreograph Seussical. The Wedding Singer will be my 15th show as a choreographer.”

The show’s villain Glenn Gulia, played by Zack Robb, leads the cast in his song, “All About the Green.” (Courtesy photo by Nicole Tuttle-Robb)

Runnells said director Nicole Tuttle-Robb assembled a team for the musical last summer and rehearsals began in late March.

“This show is really involved and has lots of moving parts, and there’s lots of fun stuff going on,” Runnells said. “It has lots of ‘80s influence. The musical is a fun production, and everyone has worked hard to bring this show to life.”

Runnells said the musical has 20 songs, 12 of which are choreographed.

“The movie has a similar plot, but the musical has its own songs written for it,” she said. “Some songs overlap, like ‘Somebody Kill Me,’ but the composer put together a full soundtrack of songs for these characters based on the story. The script is really well written.”

Tuttle-Robb, 30, said The Wedding Singer is her favorite Adam Sandler movie. She added that the production team -which includes Runnells – music director Kelly Frailly, stage managers Jennifer Dorrell and Eddie Bozanich, and intimacy director Jai Long, has assembled a cast whose talent is “mind-blowing.”

The initial cast read-through for the musical was April 1.

“I was so nervous we weren’t going to get enough people,” Tuttle-Robb said. “The theater community in Toledo is so rich with theaters and companies in the area; we needed 19 people to make this show work. It turned out there was no reason for me to be nervous.

They are wonderful collaborators. This cast…I could go on and on, and they are truly the best cast I have ever worked with. Our team is creating it all from scratch – designs for lighting, sets, props, everything.”

Matson, who played baritone in the University of Toledo marching band, said he performed theater back in high school before taking a break.

I got back into theater beginning in 2024,” he said. “I had done it through 2018 and stopped for about six years and then got back into the local theater scene. I definitely missed it a lot.”

Matson was asked how he wanted to portray Sandler’s character, Robbie, in the local musical version.

“I wanted to take some inspiration from the original source material, Adam Sandler,” he said. “I grew up watching a handful of his movies. That was one of the things that made me interested in the first place. I wanted to have the typical Sandler energy but bring a nice groundedness to it.

There are a lot more scenes that are like genuine moments between Robbie and Julia. I play a little acoustic guitar, so I’m excited to bring it into the show. We are playing some acoustic guitar to flush out the character and make it my own.”

Matson said he knew of Cassidy Anderson, who plays Julia, but has never worked with her.

I knew she was in a show at a theater company I worked with last year,” Matson said. “We get along really well at rehearsals – good vibes and good energy.”

Tuttle-Robb said this specific production “is going to be really unique,” in part because of the smaller [165-seat], intimate Village Players Theatre.

“We don’t have a large space,” she said. “Back stage is pretty tiny. We decided we were going to make this campy and lean into the comedy of this. We’re doing things that are born out of necessity, but they are fun, interesting ways to do things that other theaters may not have tried.

“We’re hosting an ‘80s costume contest encouraging the audience to come to the show in a costume to win a prize,” Tuttle-Robb added. “The audience can expect an ‘80s flashback, where we tried to capture a lot of nostalgia from the 1980s.”

For tickets to The Wedding Singer: The Musical Comedy call 419-472-6817. Tickets are also sold at the door, but the Theatre cannot guarantee seats will be available.

Sunshine Communities Maumee family featured in documentary

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Phil and Lily at a Mud Hens game. (Courtesy photo)

MAUMEE – Phil Skeldon was living a dream – a bad dream.

A man who would spend most of his 35 years at St. John’s Jesuit High School working as the school’s Christian service director, Skeldon lost his wife, Gretchen, to breast cancer in 2010 at age 47. She had been diagnosed at age 32.

Well before she passed, Gretchen and Phil welcomed the birth of their only child, a daughter they named Lily.

“We didn’t think we could get pregnant because my wife had been through so much chemo,” Skeldon said.

Lily was 5 years old when her mother died.

Everything seemed fine with Lily at birth.

“She was basically born normal,” Skeldon said. “It wasn’t until at six or seven months that she started to have these infantile spasms. They are very subtle, and she contracts like she’s almost bowing. That turned into a seizure disorder, which she’s had her whole life.

“In terms of symptoms, if you saw her you would say she has muscular dystrophy. She has struggles walking and is cognitively delayed. She is vocal, but non-verbal.”

Lily was fully diagnosed with tubulinopathy at age 15.

Tubulinopathy is a spectrum of genetic neurological disorders caused by mutations in the genes that encode tubulin, the building blocks of microtubules. These structural proteins are critical for brain development.

“Most people who have her syndrome…it didn’t come from my side of the family or her mom’s side,” Skeldon said. “It happens at conception.”

Phil Skeldon and his daugher, Lily, at the Southview prom in 2022. (Courtesy photo)

Needless to say, working a full-time job and caring for a child with a disability eventually became overwhelming for Skeldon, who is now 63 and retired.

“My wife had sisters and a brother,” he said. “I had 11 siblings and [Gretchen] had many cousins and many friends. There was no problem taking care of Lily.

“After about six years of raising her by myself and working full time, I just couldn’t do it anymore.”

Skeldon’s job at St. John’s Jesuit required him to “place students out into the community, including Sunshine, for community service.”

Sunshine Communities, a Maumee-based nonprofit supporting people with developmental disabilities in northwest Ohio, was founded in 1950. Sunshine focuses on “creating opportunities for connection, independence and community for individuals with developmental disabilities.”

Skeldon said, “I sent [SJJ] students there for years, not knowing I would ever need Sunshine.”

He said work “became my refuge” after years of caring for Lily, who would typically have seizures nearly every night.

“I had to have a video and audio monitor at my bedside,” Skeldon said.

He reached out for help from Sunshine Communities, which contacted him when Lily was 11. Skeldon now says Sunshine has been “a godsend.”

On April 27, a documentary called All Access with Andy Garcia featured Sunshine Communities. The eightminute documentary was hosted by actor Andy Garcia and will air nationally across major cable news networks including CNN, Fox News, CNBC and more.

All Access highlights innovation, leadership and social change and includes perspectives from organizational leadership on the developmental disabilities sector as a whole and how Sunshine continues to meet the evolving needs of the community.

Phil and Lily, now 22, are featured in the documentary along with Michael Ann Feldkircher, who has lived at Sunshine since childhood. The video focuses on her growth, independence and participation in Sunshine Studios.

The heartwarming video can seen on Sunshine.org and the All Access website.

Kayden appeared in the All Access documentary about Sunshine Communities. (Courtesy photo)

The role of philanthropy

Shannon Bova has worked for Sunshine for nearly a decade, including the last five years as chief philanthropy officer. She said the All Access production team reached out to Sunshine for a potential feature.

They found out about our services and wanted to highlight the health and human service field,” said Bova, who is interviewed in the All Access segment. “They came across our information and reached out to us to see if we wanted to share our mission and the work we do.

We were humbled by the opportunity. It was a really neat opportunity to be seen nationally across the country.”

In addition to staff, Sunshine had 2,500 volunteers as of 2025, according to Bova.

Sunshine’s base facility, which has a capacity to house 59 people, is located in Maumee. Sunshine also has 10 group homes in the northwest Ohio community.

Lily now lives in of those group homes.

“That’s her home,” Skeldon said. “Initially, her first year she spent at the base facility; then they moved her into a group home. I really like the group homes. Early on she did not like it when I left, but now it’s become her home.”

Interacting with the community

Ann Michael was another Sunshine participant in the documentary. (Courtesy photo)

Bova said her team at Sunshine interacts with the community in many ways, such as volunteering engagements with donors, special events, and the media.

“We haven’t been able to do this for 77 years without the support of our community, whether through volunteer hours, connection visits, helping with our grounds, and weekend or friendship visits,” Bova said. “We raise between $1 million and $2 million every year for very important needs here that we don’t receive through the government funding through Medicare.

“We are 99 percent Medicare funded, and our donors help fill in that gap.”

Being around other people

In the All Access video, Skeldon points out that most children with disabilities want to be around other people.

“They want to experience life,” he said. “Sunshine allows that for me and my daughter to happen. I would say to other parents, don’t cut your child short. Know that they want to be like their typical peers and they want to engage in life. That’s what I’ve done for my daughter with Sunshine.

“I am a better dad because of Sunshine and the life they have given my daughter.”

For more information visit sunshine.org.