Chris Baker, an American Institute of Architects (AIA) Toledo associate member, addresses Toledo City Council with high school students. The students were recognized for their architectural designs during the 75th Annual AIA High School Design Competition. (TFP Photo/Stephen Zenner)
Inside Toledo City Council is an ongoing TFP series highlighting the public functions of the 12-member council so citizens can become more civically involved.
TOLEDO – The fate of over $21 million was decided on Tuesday in the 90 minutes that encompassed this week’s Toledo City Council meeting, held at 4 p.m. at 1 Government Center.
> Thirty items were on the planned agenda, with another added motion to terminate a legislative administrator for the City of Toledo, Ricky Verret.
In a 6-3 vote, council members Theresa Morris (District 6), Vanice Williams (District 4) and John Hobbs III (District 1) voted against the motion. It was one vote shy of the seven votes needed to terminate Verret.
Morris said she understood the work of a legislative administrator, as she had worked as one for 27 years. She said she voted against Verret’s termination because she had worked positively with him before, albeit years ago.
“At the end of the day, he was very effective with the train legislation,” Morris said of Verret’s contribution to her legislative goals.
Among others, Theresa Gadus, council member for District 3, voted for Verret’s termination, but would not say why.
> The first resolution to the council meeting was a recognition for local high schoolers who had won their respective brackets in the 75th American Institute of Architecture (AIA) High School Design Competition.
Council Member Adam Martinez (District 2) lauded the work of the students. “I’m a real estate developer, and I can assure you, I would take any of those plans and put them against any of our architects.”
Chris Baker, an American Institute of Architects (AIA) Toledo associate member [in blue], stands with high school students as they are recognized for their architectural designs during the 75th Annual AIA High School Design Competition. (TFP Photo/Stephen Zenner)Ilya Prytup, a senior from Perrysburg High School, looks at other students’ architectural mockups in the lobby of 1 Government Center. The mockups were made by area high schoolers for 75th annual American Institute of Architects High School Design Competition. Prytup’s design is seen in the photo behind the one he’s looking at. (TFP Photo/Stephen Zenner)
> Resolution 199-25 honored Toledo’s very first Fire & Rescue paramedics from 1975.
Allan Janney, center, a retired EMS captain for Toledo Fire & Rescue, and his colleagues address Toledo City Council. They were the first Toledo Fire Rescue Department paramedics honored during a Toledo City Council meeting. (TFP Photo/Stephen Zenner)
> Afterwards, an unimpeded volley of ordinances were passed unanimously from Toledo City Council, with one zoning exception (Gadus) dissenting without effect on its passage.
In response to Ordinance 217-25, a zoning change at 815 Navarre Ave. from RD6 residential duplex zoning to CM-mixed commercial zoning, Gadus stated that “I received petitions from 162 East Toledoans that they did not want this in their neighborhood, and I represent their voice, and that is what they want. So I voted no.”
> Eight zoning changes were approved, including the zoning change to 815 Navarre Ave., two special use permits were issued, and about $21 million were allocated.
> In his closing remarks, George Sarantou, council member at-large, addressed the issue of dogs barking. “I just want to thank the planning commission for doing the analysis study on the dog issues. It clearly is a problem that we’re having.
“So, I look forward to working with councilman Martinez and others to come up with a policy that is enforceable,” Sarantou said.
> In Gadus’ closing remarks for the session, she spoke about the issue of garbage in her district not getting picked up from the streets of Toledo.
“I’ve always driven by my district quarterly,” she said. “I’ve noticed a lot of trash. Some people call them set-outs. Some people call them bulk pickups. But it’s in the tree lawn.
“I took it upon myself monthly to drive and count it [the bulk pickups]. And I’m trying to use that data with data in our system. Hopefully, I can get data from Republic and problem-shoot this, because I don’t think we should be paying $10 million to Republic if there are 700 piles of trash in one district.”
According to her own records, Gadus reported 592 piles of garbage in March, 620 in April (with 160 piles of garbage left over from March to April), and 699 piles of garbage so far in May.
“Obviously, there’s a breakdown somewhere, and my neighbors are the ones that’s bearing the brunt of this breakdown,” she said, but added that she didn’t have enough data yet to figure out who is to blame for bulk pickup remaining in people’s yards.
> Council members Sam Melden (District 5), Cerssandra McPherson (at-large), and Brittany Jones (at-large) were absent from the meeting.
Council member Nick Komives converses with a citizen during the council meeting. (TFP Photo/Stephen Zenner)
TOLEDO – Sparsely populated with furniture bolted to the floor and a grayscale palette, the waiting room for the Domestic Relations Court at 429 N. Michigan St. is quiet.
Attorneys speak privately with their clients in soundproof rooms with glass dividers, while others sit in silence, waiting to go before the court.
Present in the sea of waiting is the woman Norma Ramos-Prater came to see. Ramos-Prater, the Hispanic Latino outreach coordinator for the Lucas County Prosecutor’s Office, embraces the woman with a smile, holds her hand and admires her nails.
Norma Ramos-Prater admires the nails of a client she met in Domestic Relations Court on April 1. (TFP Photo/Stephen Zenner)
“She’s shaking,” Ramos-Prater says, squeezing her hand as a few tears escape the young woman’s eyes. The two of them almost have the same uniform – black dresses, braided hair and grave expressions.
The young woman, whose identity is best left unknown, is seeking a divorce and alleging domestic violence. Ramos-Prater is there to translate, provide emotional support and guide the woman through the process.
On the other side of the room, the woman’s husband is visible, also waiting, but then the judge moves the court date back to reconvene at another time.
The victim’s advocate role within the Victim Assistance Program has been around for a number of years. In 1984, Ohio passed theState Victims Assistance Act (SVAA) in coordination with the federalVictims of Crime Act (VOCA), which set aside funding and resources to help people who have had crimes perpetrated against them.
Norma Ramos-Prater sits in her office inside the Sofia Quintero Art & Cultural Center in Toledo on Tuesday April 1, 2025. Ramos-Prater chose to setup her office in the Sofia Quintero Art & Cultural Center to be more approachable to the community she serves. (TFP Photo/Stephen Zenner)
Figurines in Norma Ramos-Prater’s office.Books in Norma Ramos-Prater’s office.
“The work those men and women do at the prosecutor’s office is nothing less than God’s work,” said Matt Cherry, who learned firsthand how important that work is when he was assisted during a court case by Joan Coleman, a strong leader in Lucas County victim’s advocacy,who died in 2023 at the age of 91.
After an altercation at a party, Cherry, then 16 years old, and one of his friends decided to leave the gathering when “the individual who was throwing the house party ran off his front porch and unloaded on our vehicle. Unfortunately, my best friend didn’t make it.”
With a bullet to his leg, Cherry, now 45, was able to physically heal, but said reliving the experience in court was “devastating.”
Vera Sanders, director of Victim Services for the Lucas County Prosecutor’s Office, spoke from her 28 years of experience, and described the judicial process as “not victim friendly. A lot of the victims don’t understand how to maneuver or how to get through the criminal justice process without that [victim] advocate being there to help.”
Sanders attributed part of the difficulty with of the judicial process to the necessary investigative nature of fair trials.
“It is set up as innocent until proven guilty, and so the defendants have to have rights,” she said, and this means victims may have to relive much of the worst moments of their lives as courts come to their own conclusions.
The other difficulty for victims is understanding and trusting the process involved with the judiciary, a hard task for anyone who isn’t trained in court processes.
“She was there and able to explain things to me and able to console me in a way that was different than what my parents and my family could do because she knew what the events were going to be,” Cherry said of Coleman. “And she knew others that went through the exact same thing I did.”
Unfortunately, not all communities or individuals report crimes, and the Latino community has suffered disproportionately due to a declining trust in law enforcement.
A 2013 survey of Latino populations across counties in California, Illinois, Arizona and Texas showed 70 percent of undocumented immigrants were less likely to report being a victim of a crime than other victims.
“They have the same rights as any human being has,” Ramos-Prater said. “And that’s one of the things that I try to educate everyone that comes to me, to let them know they have rights.”
An articlein the Journal of Social Work, also published in 2013, found that the entire Latino population had a declining trust in law enforcement, regardless of immigration status or citizenship.
In an attempt to bridge trust, specifically with the Latino population in Toledo, the Lucas County Prosecutor’s Office, led by Julia Bates, curated Ramos-Prater’s position as the Hispanic Latino Outreach coordinator, a specialized victim’s advocate position designed to help victims who are apt to slip through the cracks within the justice system.
Norma Ramos-Prater receives an award from the City of Toledo during the State of the City Address at Tower on the Maumee’s 13th floor in downtown Toledo on March 5. (TFP Photo/Stephen Zenner)
Sanders lauded Ramos-Prater for her work as an advocate and for her ability to reach people.
“She’s actually a lifesaver for that community. There’s nowhere in the Latino community that they’re just not raving about what Norma has done and what she means to that community.”
Traditionally, victim’s advocates are tied closely to the court process, but Ramos-Prater also makes herself visible through community events, teaching English and Spanish classes at a local South Toledo Church, and personally familiarizing herself with resources her clients may use in the future.
We don’t trust. They need to see you involved in the community to trust. Sometimes they don’t even give you the right name.
Norma Ramos-Prater
For the past six years, Ramos-Prater has setup her office inside the Sofia Quintero Art & Cultural Center, located at 1225 Broadway St., to make herself available to the community in a less formal setting.
Norma Ramos-Prater teaches English at St. Lucas Lutheran Church on Dec. 12, 2024. (TFP Photo/Stephen Zenner)
“To get the community involved, you have to get involved in the community,” said Theresa Johnson, an outreach coordinator for St. Lucas Lutheran Church, where Ramos-Prater teaches language classes. Just down the hall from the classes, attendees can also benefit from a free lunch program, free blankets, bookbags, personal hygiene kits, a food pantry, a second-hand store and an Alcoholics Anonymous group.
According to Ramos-Prater, a victim’s main challenges are childcare, language and transportation difficulties, and she does “a little bit of everything,” sometimes beyond victim relief because “the need is so much.”
A woman Ramos-Prater has been helping for years, Mercedes Aguirre, an American citizen living in South Toledo, had problems getting her daughter the medical attention she needed.
Norma Ramos-Prater looks over scheduling details with Mercedes Aguirre in Aguirre’s South Toledo home on April 1. Ramos-Prater coordinates (TARTA) schedules for Aguirre’s daughter. (TFP Photo/Stephen Zenner)
Mercedes Aguirre shows a picture of her daughter, Sofia, 15, as Norma Ramos-Prater looks over scheduling details for public transportation. (TFP Photo/Stephen Zenner)
“I referred them to the board of disability many years ago,” Ramos-Prater said.
Aguirre’s 15-year-old daughter had complications with a chronic condition and needed help coordinating transportation through the Toledo Area Regional Transit Authority (TARTA), as well as translation for the doctor.
It is small gestures like these, where Ramos-Prater is willing to meet everyday people where they are, in their homes if necessary, and connect them with an array of resources that builds trust within the South Toledo community.
And to keep that trust Ramos-Prater does her homework before she recommends a service or a group to her clients.
“I have to find out which agencies provide services to them, [and] if they are Spanish speaking,” and then, “I act like I’m the one [getting services] to make sure that my victims are not victimized again.
“I went through that free clinic to see how they treated them. And now I know that my victims will get medical treatment at the free clinic and they’re going to be treated properly.”
This is especially important for victims of domestic violence. Ramos-Prater often discovers domestic violence situations tangentially, when an individual needs help with some other service.
Ramos-Prater recalled telling a woman facing domestic violence that she had the right to have a protection order.
“A lot of women don’t know that. They don’t know that they have those rights. Nobody has the right to abuse them.”
The Latino Outreach coordinator is a valued position, and for the moment, is secure for the immediate future. Part of what allows the program to have this added security is diversified funding sources by local, state and federal entities.
Regardless, Ramos-Prater has not been phased by the changes in government, “We’re gonna’ keep pushing forward,” she told the Toledo Free Press. “Our office is gonna’ help victims of crime.”
Norma Ramos-Prater, the Hispanic-Latino outreach coordinator for the Toledo-Lucas County Victim Witness Assistance Program, meets with a client at Domestic Relations Court. Ramos-Prater specializes in helping victims of crimes, regardless of their immigration status. (TFP Photo/Stephen Zenner)
Stephen Gullette, marketing and social media specialist for JŪPMODE, points out designs NBC requested to use in their new show, The Paper. About a year ago, Gullette was in correspondence with NBC, who used JŪPMODE designs to create the set for the new sequel to the 2000’s hit The Office.
TOLEDO – A new spinoff to the beloved sitcom The Office was announced this month by NBCUniversal, and it’s gearing up for its first season debut on Peacock in September.
The new series, called The Paper, is the successor to producer Greg Daniels’ signature mockumentary style, but the location has now moved on from the Electric City (Scranton, Penn.) to the Glass City for a story centered around local journalism.
During the search for the location, FilmToledo was told the production had toured a number of different Midwest newsrooms to find a home for the new show, but was not definitively told Toledo would be the chosen location.
According tocleveland.com, “Editor Chris Quinn [of cleveland.com/The Plain Dealer] disclosed that producers of The Paper had approached his organization about getting Cleveland materials for use in the mockumentary series.” He told NBC “no.”
In short, “We were not going to be the subject of buffoonery,” Quinn said.
For now, it’s uncertain how far the search for a new location went, but production for The Paper started reaching out to a variety of Toledo fixtures in spring 2024, starting with the Toledo Regional Chamber of Commerce, who directed the sitcom team towards FilmToledo.
“It was really like an educational session for them, because they really didn’t know Toledo too well, but they really wanted to get it right,” said Michael DeSanto, executive director of FilmToledo.
Michael DeSanto. (TFP Photo/Stephen Zenner)
“At the time, we didn’t know that it was called The Paper. We knew it was connected with The Office, being written and produced by Greg Daniels and his team. But obviously, they couldn’t go into too much detail, but we already had a pretty good idea of what the project was about.
“Most of their work was done last year,” DeSanto said. “But they had gone into the [Toledo] City Paper and The Blade [for] a little bit for research, and from what we’ve heard, they did pop in to film a couple things.”
Riley Runnells was the editor of the Toledo City Paper at the time, and she got to meet one of her favorite actors during NBC’s fact-finding tour of Ohio’s fourth largest city.
“It was actually very random,” Runnells said. “It was presented to me via email that they [NBC] were researching for a show that they were putting together, and it was going to be about journalists in the Midwest.
“They came across my work online, and they wanted to shadow me, or they wanted to have their actor come in and shadow me for a day to see the logistics of running a newsroom.”
Domhnall Gleeson, the lead for the new NBC show, The Paper, shadows and interacts with Riley Runnells, then the editor for the Toledo City Paper, at the Toledo City Paper office in Downtown Toledo, Ohio on June 12, 2024.
To Runnells’ surprise, Domnhall Gleeson, the lead in the 2013 movie About Time and the new lead for The Paper, showed up on the Toledo City Paper’s doorstep without any sort of entourage.
“I am a very, very big fan of his,” Runnells admitted. “I was expecting, you know, maybe a writer or a producer or somebody from the show to come in, but I did not expect the lead actor to come in. It was so exciting.”
Runnells went through her day as normally as she could, considering a famous actor following her, and then spent at least two hours giving Gleeson an in-depth understanding of the relationship she had with her newsroom.
Michael Koman, one of the show-runners for the show, reportedly visited The Blade, according to Runnells.
More vaguely, DeSanto also mentioned that NBC visited The Blade, Toledo’s oldest newsroom, although this visit seemed to happen before FilmToledo or the Toledo City Paper were aware of the project, according to aBlade article. It states, “Kim Bates, executive editor of The Blade, said writers for the show were at The Blade in December 2023, during which time they spoke with a variety of newsroom employees.”
Gleeson’s visit to Toledo happened in June 2024, so that may be an indication of what kind of newsroom is represented in The Paper.
No one except the NBC execs will truly know what The Paper will be like until it releases, but Runnells did not sharecleveland.com‘s fears of being the butt of a joke.
“I think it shows a great deal of maturity to be able to laugh at yourself,” she said. “I’m certain that there will be some shots taken at the community, but I think what really makes that okay and what will make that funny is that they will also have a lot of really heartfelt moments regarding Toledo.
“There’s definitely going to be that pride for the local element, because you can’t have a show about a local newspaper and not have at least some of the characters be really passionate about where we’re living.”
One of the original cast members, Oscar Nuñez, who played the accountant Oscar Martinez on The Office, serves as a throughline between the two shows; he was reported to have toldThe Hollywood Reporter that he wanted the show to take place in a more cosmopolitan setting.
“Greg heard me and moved Oscar to Toledo, Ohio, which has three times the population of Scranton,” Nuñez said. “So it’s nice to be heard.”
A single still photograph has been released from the show, with lead actor Gleesonappearing to stand on top of a desk, and is presumed to be the newsroom for the Toledo Truth Teller, serving as an early glimpse into what will come out in the fall.
The set looks similar to that of The Office, with a few different set choices, as Toledo’s own JŪPMODE noticed.
Stephen Gullette, 29, the marketing and social media specialist for JŪPMODE. (TFP Photo/Stephen Zenner)
A list of JŪPMODE products NBC requested to use in their new show. (TFP Photos/Stephen Zenner)
“You can see it in the bottom right corner. It’s blurry, but that was cool,” said Stephen Gullette, the marketing and social media specialist for JŪPMODE, as he pointed to one of the JŪPMODE designed mugs visible in a shared photo of the show’s upcoming production.
“I noticed it this morning,” he said the day after NBCUniversal announced the show.
“They had searched on our website a couple of items they wanted,” and asked him if they could use those items for the show. “I’m excited. We were talking this morning about how they might portray it [Toledo].”
Gullette said he was a bit worried about Toledo getting a portrayal like the one on the Netflix show A.P. Bio, which he said took a number of jabs at the city. Undeniably, he said, the show will poke fun at Toledo, but hopefully, “nothing too serious.”
However, JŪPMODE’s retail art director, Shannon Mossing, who designed much of the Toledo specific merchandise the studio chose, said it was exciting and she was honored to have her designs in the show which represented Toledo.
Another Toledo businesses contacted by the studio was local coffeeshop Black Kite, whose general manager, Emerson Dupont, said, “I gave them a bunch of cups,” for reference.
The Toledo Free Press was not contacted by the show because it wasn’t in operation yet. The TFP website didn’t officially go live until August 2024, months after Gleeson’s visit.
Either way, it’s clear there will be at least an attempt to portray Toledo in a genuine way, served up alongside a tongue-in-cheek snapshot of the floundering print local news industry.
You might see these JŪPMODE products on the show, The Paper, when it debuts in September. (TFP Photo/Stephen Zenner)
On this episode of Behind the Byline, host Jaden Jefferson chats with Marcus Harrison about the threat of national public media losing federal funding by executive order.
Harrison vows that public media “won’t go down without a fight. Right now, it’s [loss of financial funding] is just a threat, and a threat we’re taking very seriously.”
Harrison, director of marketing and communications for WGTE Public Media, recently returned to WGTE after a 20-year hiatus from the station. He was the the creative producer and supervisor for Buckeye Community Arts Network (BCAN).
“It’s good to be back in public media and it’s where I belong,” he told Jefferson. “It’s a space I’ve grown to love and definitely where I’m supposed to be.”
During this episode, Harrison talks about:
public radio funding (federal, state and viewer support)
the quality of programing in public media and how it makes a difference in local and national communities
the power of local programming, including stories on the Toledo Ballet, the Old West End, the Mud Hens and Rethinking Jails and Justice.
the original goals of public media: to inform, educate and inspire
developing strategies to face financial and legal challenges
New episodes of the Behind the Byline audio news podcast drop every Wednesday on Pod Station.
OAK HARBOR— When the Ohio Young Birders Club (OYBC) led a free youth field trip May 17 at Magee Marsh Wildlife Area, the Toledo Free Press was on hand to chat with some of the youngest birders in attendance at the Biggest Week in American Birding.
The mission of OYBC, a program of Black Swamp Bird Observatory (BSBO), is to encourage, educate and empower youth conservation leaders. Members participate in field trips and service projects and present an annual conference.
Some of the birds the youth spotted on their hike included a bald eagle on its nest, a common nighthawk, a mourning warbler, Baltimore orioles, yellow warblers and warbling vireos.
Students were accompanied by several adults, including Jamie Cunningham, education director and statewide coordinator for OYBC, and Kenn Kaufman, renowned birding expert behind the Kaufman Field Guide series. Kaufman said he was there to lend support and answer questions while the young people took the lead.
Kaufman is married to Kimberly Kaufman, executive director of BSBO, who played a key role in starting the OYBC in 2006 after a few young people came to BSBO staff searching for a youth birding organization. When they couldn’t find one, they decided to create one.
“Rather than try to tell the kids what the club would do, we just asked, what would you like this club to be?” recalled Kenn Kaufman. “So, they named it; they came up with the ideas for the programs.”
At the first annual conference, Kaufman said all the speakers, including the keynote, were under the age of 20.
“And so it’s been a principle of the Ohio Young Birders Club ever since that it’s an organization where the young people can shine,” he noted. “It’s not adults taking kids around and lecturing to them.”
The OYBC has become a model for youth birding programs around the country, with BSBO staff helping to create similar programs in more than 20 states and two other countries. The group offered two free field trips for birders under the age of 18 during this year’s Biggest Week in American Birding, the festival organized by the BSBO.
Pigs in pens. (Courtesy Photo/Mark Stebnicki/Pexels.com)
This is a limited series on farming. The next story will focus on local family farms.
(⚠️ Content Warning: This story contains descriptions of animal cruelty and graphic conditions inside factory farms, which some readers may find disturbing.)
Americans eat a lot of meat. We each eat an average of 116 pounds of chicken, 84 pounds of beef and 66 pounds of pork, annually. To be able to consume as much meat as we do, we rely on factory farms. There are presently 24,000 factory farms that raise approximately 1.7 billion animals in the United States.
A factory farm is a large-scale facility where animals like cows, pigs and chickens live primarily indoors in crowded conditions. These farms focus on boosting production while cutting down on costs. Factory farms are also called concentrated animal feeding operations, or CAFOs. Here, animals are often kept in tight spaces and raised in bulk to meet high demand.
The EPA’s 2020 report on Concentrated Animal Feeding Operations (CAFOs) recorded 257 permitted sites in Ohio. However, the real number could be much higher when considering facilities that operate without permits. Pinpointing the exact count of CAFOs in Ohio remains a challenge. A map of CAFOs in the Western Lake Erie Basin can be found here.
Effect of factory farms on human health
Dr. Kathleen Longo, from Ann Arbor, who is board-certified in internal medicine and worked at the VA in primary care, now volunteers for organizations like the Physicians Committee for Responsible Medicine and Mercy for Animals. I interviewed Longo about the impact of factory farms on human health.
The first topic we discussed was the spread of antibiotic-resistant bacteria. Longo felt that “they use so many antibiotics in the farmed animals because they’re so confined in small spaces that they can get skin diseases and they can get diarrhea, and it passes quickly to the other animals. So, once those antibiotics are used in livestock farming, it promotes the bacteria to become more resistant. And so, then, that’s less antibiotics that we can use for humans.”
Dr. Kathleen Longo. (Courtesy Photo)
We then talked about diseases that can be spread by animals, or zoonotic diseases.Factory farms often crowd animals together and lack proper sanitation. These settings help diseases that move from animals to animals and spread quickly.
Swine flu, avian flu, salmonella and MRSA are found in this type of facility. In fact, about three out of every four new infectious diseases come from animals. Large-scale animal farming has played a significant part in their spread.
In regard to pollution and health, Longo stated that “when you think about the factory farm runoff into the water and into the soil, all their fecal organisms from the animals pollute the surrounding water and pollute the surrounding soil, so that is a chance for it to contaminate the food products, or contaminate a farmer’s field and contaminate your water supply.”
Wastewater runoff can also include nitrites, heavy metals and pesticide residues. These substances have been linked to cancer and reproductive issues in surrounding communities.
Factory farms also release gases, such as ammonia and hydrogen sulfide, into the atmosphere. These emissions can cause breathing problems, including asthma and bronchitis, among workers and people living nearby.
Concerning foodborne illnesses, animals kept in factory farms often face stressful environments, which weakens their ability to fight off infections, such as Salmonella and E. coli. This raises the risk that these bacteria will end up in meat and dairy products. Worldwide, about 35 percent of foodborne illnesses are tied to meat, dairy or eggsfrom these farming systems.
Working on a factory farm can be challenging. Factory farm workers often experience dangerous job conditions. They face a higher risk of injuries, breathing problems like chronic bronchitis, and mental strain due to weak labor protections.
Negative effect on farm animals
Another source for this story was Dr. Tim Reichard. Reichard served for 22 years as chief veterinarian at the Toledo Zoo and was a member and chairman of the Animal Welfare Committee of the American Veterinary Medical Association. Reichard grew up on a small dairy farm in western Pennsylvania, and, at that time, his family had a herd of 40 cows.
He believes very strongly that animals are not treated well at factory farms. In response to the poor treatment of animals, Reichard focuses on animal rights and promotes the Five Freedoms for Livestock. The Five Freedoms for Livestock (Figure 1) are internationally recognized principles for evaluating and promoting animal welfare.
Figure 1. Five Freedoms for Livestock. (Graphic Credit/Steve Roberts)
These guidelines are often seen as the standard for humane treatment and have been adopted by groups like the American Veterinary Medical Association, the World Organization for Animal Health, the ASPCA and American Humane. They aim to guide farmers, veterinarians and policymakers in creating better living conditions for animals while considering the practical challenges of farming systems.
Managing a factory farm involves confining large numbers of animals, such as cows, pigs and chickens, in highly constricted crowded environments, like cages, stalls, barns or feedlots to produce meat, milk and eggs.
In reality, the farming industry often treats animals as if they were unfeeling assets rather than the intelligent, complex and emotional creatures they are. Most of us do not get to know what they’re like since we only know them as meat from the grocery store.
“When they’re kept in those small areas, and a lot of times they’re on wire, it affects the bottom of their feet – the leg deformities and so forth that occur from being in that environment – they can barely stand anymore. It leads to arthritis,” Reichard said.
Confinement of animals on factory farms
Extreme confinement is a characteristic of factory farming that leads to boredom, frustration, stress and other serious concerns.
As Reichard mentioned, hens raised for egg production are often kept in battery cages – small enclosures made of wire. Each hen is given a floor area equal to the size of a sheet of printer paper, and the cages are usually about 15 inches tall. This small space prevents the birds from fully spreading their wings without hitting the cage walls or other birds. As a result, these cages restrict nearly all of a chicken’s natural behaviors, such as dust-bathing, nesting and scratching.
Cattle eat in mass. (Courtesy Photo/Mark Stebnicki/Pexels.com)
Cattle raised for beef often begin life grazing on open land, eating a traditional diet. This period ends around one year of age when they are taken to the (CAFOs). These facilities are densely packed indoor spaces, where cattle are fed mainly corn until slaughter. The overcrowding, poor sanitation and low-quality feed contribute to significant health issues. There is an increased risk of bacterial infections, prompting the routine use of antibiotics and hormones. These are used to maintain health and ensure the cattle reach the desired slaughter weight.
Most pigsraised for meat production in the United States live indoors in confined, overcrowded facilities.
Dr. Tim Reichard. (TFP Photo/Steve Roberts)
Pregnant sows are commonly kept in gestation crates for their four-month long pregnancies. These cramped enclosures are so small that the animals can only stand or lie down and cannot turn around. As well as limiting movement, these crates deprive the sows of mental and physical stimulation.
Shortly before giving birth, sows are moved to farrowing crates. These enclosures are also restrictive, with the added restriction of little contact between mother pigs and their piglets, except for nursing. Once the piglets are weaned, the sows are re-impregnated and go through the same cycle of confinement and stress, repeating this process until they are sent to slaughter.
“With swine operations, it’s concrete or mats or whatever, because you have to have a method to clean them out,” said Reichard. “And being in that situation, it leads to a lot of a lot of arthritis, and just if you can imagine where you can barely, barely move around.”
Also concerning to Reichard was that “chickens and pigs kept inside could be seriously overheated without adequate cooling in summer temperatures.”
Painful procedures on factory farms
Animals are often subjected to painful procedures while they are kept in overcrowded conditions, including during transport. When animals retain their beaks, horns or tails, they may unintentionally or intentionally injure one another. To prevent this, practices, like dehorning cattle, trimming chickens’ beaks and docking the tails of pigs, are carried out. These procedures are typically done without providing any form of pain relief.
Cattle are treated at an early age to prevent horn growth. For very young calves, disbudding (removing horn-producing cells) is done by using a hot iron or caustic paste before horns begin to develop. Reichard prefers that the caustic paste not be used since it can run into calves’ eyes. When the horn tissue has attached to the skull, cutting through the bone (dehorning) may be required. Disbudding is usually preferred over dehorning as it is less invasive, carries fewer risks, and is less painful. Even disbudding can cause prolonged pain lasting weeks or months.
Farmers disbud or dehorn cattle to reduce the chances of horn-related injuries. Horns can cause bruising during transport and pose risks to other animals and handlers on the farm.
Historically, tail docking has been performed on pigs, sheep, dairy cattle, and cattle reared on feedlots with slatted floors. The procedure has fallen out of favor with cattle.
Pig producers commonly dock tails to reduce the risk of tail biting and chewing among pigs in shared pens. Tail biting can be problematic because it can cause infection, reduce weight gain and increase the need for veterinary care.
Tail docking is typically carried out within the first week of life, often along with other procedures, such as castration, teeth clipping and ear notching. In piglets, scissors, sharp instruments or a hot knife are often used to remove most of the tail.
Beak trimming, also called debeaking, is performed on chickens raised for laying eggs and breeding stock used for meat production. The procedure involves removing a portion of the beak using either a heated blade or a high-intensity infrared light. Typically, between one-third and two-thirds of the beak is removed.
Chickens in cage. (Stock Photo/Cotton Bro Studio/Pexels.com)
The primary purpose of beak trimming is to decrease the pecking of feathers, wattles and combs. According to Reichard, the debeaking is also done “because chickens in confinement will go after each other if there’s a little bit of blood, so they can kill each other.”
One of Reichard’s frustrations is with the USDA Animal Welfare Act (AWA), enacted in 1966, that addresses animal well-being. It is the primary federal law in the United States regulating the treatment of animals in research, exhibition, transportation and commercial sale. The act addresses housing, handling, sanitation, food and water, veterinary care, exercise and psychological well-being, except for farm animals. Reichard expressed great concern that the USDA Animal Welfare Act does not cover farm animals used for food or fiber.
In summation, factory farming treats animals inhumanely by overcrowding, forcing animals to live in uncomfortable environments and performing painful procedures to make them more manageable. Factory farming also poses serious risks to human health through environmental contamination, disease proliferation, antibiotic resistance and zoonotic diseases.